아르투어 슈니츨러의 『윤무』 - 언어와 행동의 이중성: 모티브 분석을 통해 본 20세기 전환기의 비엔나 사회-
Arthur Schnitzler’s Reigen - -Ambiguity of the language: The function of motifs and criticism on the Viennese society of fin de scicle-
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Arthur Schnitzlers Reigen (Round Dance) is regarded as one of the most scandalous play ever written and played at the fin de siècle. It deals with sexual instinct on the stage, repeatedly in 10 scenes. The Schnitzler researches have seen the importance of Reigen in formal structure, which does not follow the traditional rules of Drama and builds a round circle, based on a change of persons from scene to scene, or in its contents: critics on Viennese society, erotic and psychoanalytic aspect, apocalyptic decadence, dance of the death, melancholy and depression of fin de sciècle etc. This paper stresses the formal structure of this play, pointing out the role of the language and motifs played in it. Motifs like darkness, anxiety, hurry, temperature, jealousy or pretended jealousy, fear of an intruder, convincing of being loved and hypocrisy are most frequently used. It reveals the hypocritical attitude of the characters in terms of sexual moral - an attitude the citizens of bourgeois society have as a habit. The criticism was made on the Viennese bourgeois society with its demanding ethics and moral of fin de sciècle which turned out as an illusory moral, and is kept only by language which stands in contradiction to the action. The investigation of motifs and languages of the character exposes the phenomenons of the Viennese bourgeois society of the turn of the century.
Abstract
Arthur Schnitzlers Reigen (Round Dance) is regarded as one of the most scandalous play ever written and played at the fin de siècle. It deals with sexual instinct on the stage, repeatedly in 10 scenes. The Schnitzler researches have seen the importance of Reigen in formal structure, which does not follow the traditional rules of Drama and builds a round circle, based on a change of persons from scene to scene, or in its contents: critics on Viennese society, erotic and psychoanalytic aspect, apocalyptic decadence, dance of the death, melancholy and depression of fin de sciècle etc. This paper stresses the formal structure of this play, pointing out the role of the language and motifs played in it. Motifs like darkness, anxiety, hurry, temperature, jealousy or pretended jealousy, fear of an intruder, convincing of being loved and hypocrisy are most frequently used. It reveals the hypocritical attitude of the characters in terms of sexual moral - an attitude the citizens of bourgeois society have as a habit. The criticism was made on the Viennese bourgeois society with its demanding ethics and moral of fin de sciècle which turned out as an illusory moral, and is kept only by language which stands in contradiction to the action. The investigation of motifs and languages of the character exposes the phenomenons of the Viennese bourgeois society of the turn of the century.
참고문헌 (21)
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