한국의 돈황 불교미술 연구 동향: 사고틀의 새로운 모색
Research Trends of Dunhuang Buddhist Arts in Korea: A New Seek for a Framework of Thinking
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It has been more than 30 years since Korean academia started studying the art history related to Dunhuang Caves. The research results have been derived since 1981, and it is precisely 39 years old. Although the period of research is quite long, the results of research on Buddhist arts of Dunhuang Caves were more than expected. There are about 120 studies that I have grasped to date. As a matter of fact, this number is not only for studies in the Buddhist art history perspective but rather for all of the research achievements of 'Dunhuang related research history', and ‘costumes history, architects history, and conservation sciences for Dunhuang Buddhist arts'. Of the more than 120 research achievements, there are only 23 research achievements for the past 20 years from 1981 to 2000, and the remaining 100 are obtained from 2000 to 2018. In the meantime, it should be said that the studies on Buddhist arts in Dunhuang Caves started in earnest after year 2000 when exchanges between Korea and China became active and the field survey became easier after reform and opening. In the latter half of the 20th century, when Mogao Grottos in Dunhuang first began to be interested, the mural paintings and sculptures of Mogao Grottos in Dunhuang, which were even unfamiliar to the intellectuals, have grown greatly into an international discipline that now has a deep interest in the general public. This article attempts to explore the perspectives of Korean researchers on Dunhuang Buddhist arts, a treasure house for Buddhist art researchers, and examine what they have accomplished and what they mean. This article also attempts to investigate how research of Dunhuang Buddhist arts in Korea is different from that of China and Japan. At this point, about 30 years since Korean academia started to get interested, it is said that looking back at research in the past is meaningful work to revitalize research in the future.
Abstract
It has been more than 30 years since Korean academia started studying the art history related to Dunhuang Caves. The research results have been derived since 1981, and it is precisely 39 years old. Although the period of research is quite long, the results of research on Buddhist arts of Dunhuang Caves were more than expected. There are about 120 studies that I have grasped to date. As a matter of fact, this number is not only for studies in the Buddhist art history perspective but rather for all of the research achievements of 'Dunhuang related research history', and ‘costumes history, architects history, and conservation sciences for Dunhuang Buddhist arts'. Of the more than 120 research achievements, there are only 23 research achievements for the past 20 years from 1981 to 2000, and the remaining 100 are obtained from 2000 to 2018. In the meantime, it should be said that the studies on Buddhist arts in Dunhuang Caves started in earnest after year 2000 when exchanges between Korea and China became active and the field survey became easier after reform and opening. In the latter half of the 20th century, when Mogao Grottos in Dunhuang first began to be interested, the mural paintings and sculptures of Mogao Grottos in Dunhuang, which were even unfamiliar to the intellectuals, have grown greatly into an international discipline that now has a deep interest in the general public. This article attempts to explore the perspectives of Korean researchers on Dunhuang Buddhist arts, a treasure house for Buddhist art researchers, and examine what they have accomplished and what they mean. This article also attempts to investigate how research of Dunhuang Buddhist arts in Korea is different from that of China and Japan. At this point, about 30 years since Korean academia started to get interested, it is said that looking back at research in the past is meaningful work to revitalize research in the future.
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