新資料 李東 歌辭 <바늘졔문>의 특징과 그 문학사적 의미

Abstract

This article aims to examine the features and their literary historical meaning of the newly discovered Lee dong’s gasa <Baneuljyemun>. This work seems to have a similar motif to <Jochimmun(弔針文)> at first glance, but the story of the broken needle and the story of the scissors and the ruler for sewing are arranged side by side in this work. Needles, scissors, rulers are all personified, each story consists of an episode. Especially, the story of scissors is found to be of interest. This work contains the memories of author’s childhood. The author remember that she was upset when she broke a needle, the scissors ruined sewing, her uncle carefully made a ruler for sewing for her. The author repeatedly wrote her old work later, adding new memory. The aspect of personification of things is found in other works <Lice and bedbug and flea>. Works based on objects that are intimate with women are found in modern and contemporary women's gasa. Although there is no direct relationship between Lee dong’s gasa <Baneuljyemun> and modern and contemporary women's gasa, it is meaningful that there is a point of mutuality.