徐志摩 新格律詩의 예술적 실천에 대한 小考

Abstract

At the beginning of the 20th century, Chinese Romantic poet Xu Zhimo wrote many beautiful poems. Xu Zhimo's literary creation can be said to open a new space for the romanticism of modern Chinese literature. But the academic evaluation of him has been limited to idealism and bourgeois poets. Until the 1980s, the artistic connotation of Xu Zhimo's poetry began to be valued. As a representative of the new moon school, Xu Zhimo and Wen Yiduo put forward the theory of new metrical poetry, got inspiration from the European and American poetry theory, and pursued the Metrization of modern Chinese poetry. Xu Zhimo has always stressed that new poems should have new forms and syllables, and he has tried to practice the metrical theory put forward by the new moon school. First of all, this paper studies the metrical theory put forward by Xu Zhimo and Wen Yiduo, analyzes how Xu Zhimo drew lessons from Western metrical poetry, and successfully explores and practices the Metrization of Chinese new poetry. Xu Zhimo combines the rhythms of European, American and Chinese classical poems, sublimating the unique artistry of new metrical poems into romantic literature. At the stage when the form of modern Chinese poetry is not mature yet, Xu Zhimo has built a poem that conforms to the form of Chinese poetry by referring to the historical experience of Chinese and Western poetry. His exploration and practice of new poetry's Metrization has provided profound enlightenment and development space for the later generation of poets.