박용래 시의 ‘침묵’을 향수(享受)하는 방법 탐구－감각의 촉발과 이미지의 운동에 따른 ‘행간 읽기’를 중심으로－

Abstract

The purpose of this paper is to explore how to appreciate the point of “silence” in Park Yong-lae's poem, focusing on the triggering of the senses and the movement of the image. Park Yong-lae provides a point of “silence” in the text of the poem. Through this, we want the reader to communicate emotionally with the text and create a new meaning. Until now, research on ‘silence’ of Park Yong-lae's has been mainly conducted in terms of technique. Semantic research, including how to read the meaning between lines, is somewhat lacking. This paper thought that in order to properly enjoy Park Yong-lae's poetry, it is necessary to be able to encounter the world of meaning contained by the poet by reading the point of silence between the lines. In addition, we tried to explore how readers can track the meaning hidden between the lines of Park Yong-lae' poem, interact with the text, and experience a deep poetic resonance. There are three ways to read “silence” of Park Yong-lae's poem through the triggering of senses and the movement of images. The first is the scene painting of the present sense and the immediate reaction. In Park Yong-rae's poem, objects are observed in detail and the senses captured from them are imaged into a familiar landscape. The second is to infer the poetic speaker's feelings by looking at the process by which sensitized memories are expressed through current physical signs. The third is when fragmented senses are concentrated into a single image to create a unified image. This is to draw a specific object or landscape (image) in which the poet's mind is deposited when it is difficult to express the poet's emotions and poetic thoughts in language.