<취미삼선록>과 <화정선행록>의 여주인공의 탈속적 자기공간 추구에 대한 비교 연구

Abstract

Heroines in Chuimisamsonrok and Hwajungsonhaengrok leave to the self-space undergoing trouble with concubine or husband. This thesis compare with the aspect of the search for self-space of each heroines. The heroines in these two novels all search for unworldly self-space leaving the house of husband. Buy the way, these self-space are described as fairyland so these two novels show a point of sameness giving body to the search for fairyland as in the world of Chinese poetry. But then these two novels show differences also. In Chuimisamsonrok the heroine Muyang princess abides in the unworldy self-space ‘Chuimi palace’ for a little while, in Hwajungsonhaengrok the heroine Chunghyohye keeps her residence in ‘Seongui palace’, the unworldly self-space, continuously. The cause of these differences is allied to the motive of the search for unworldly space. Muyang princess, the heroine of Chuimisamsonrok is confronted with unreasonable marriage and conflicts with concubine of gentry class birth. Chunghyohye, the heroine of Hwajungsonhaengrok, conflict with the princess being married unreasonably and her husband was married unreasonably. Next, Muyang princess in Chuimisamsonrok comes into collision with husband of a small mind, but Chunghyohye in Hwajungsonhaengrok comes into collision with husband, a man of true honor. Last, Muyang princess in Chuimisamsonrok has no outside experience, on the other hand Chunghyohye in Hwajungsonhaengrok accomplishes awakening of herself through the outside experiences as participating in battle field. From these analyses, ‘Chuimi palace’ in Chuimisamsonrok is the temporary deviational space against husband's house as the general space under patriarchic system. but ‘Seongui palace’ in Hwajungsonhaengrok is shown as substantial alternative space against husband's house. As a result, the main subject of Chuimisamsonrok is temporary mockery to male-dominated patriarchic society. On the side, the overall theme of Hwajungsonhaengrok inclines to the more positive critique about male-dominated patriarchic society.