청소년 문학과 21세기 소녀의 귀환 -여성작가의 청소년 소설을 대상으로

Abstract

Recently, a girl is showing up as an active subject who cuts dominant culture and revolts against it. In the adolescent literature, the growth of girls is no more the sacrificial pass time where gains adopted feminist as entering the law of father. It can be to say that has resulted from the active creative activities of women writers since paternal authority fell and feminism popularized due to IMF. While a father is disappearing in the adolescent literature by women writers, 'the romance plot of an Oedipus family' is destroying while the relationship between mother and daughter is abslutized. Separation mother from daughter or betrayal is no more essential procedures of the growth; rather, recovery of this relationship between them is presented as a narrative goal. The girl in an adolescent literature is problematic character who represents the time after 'feminist literature' and 'feminism'. However, while the influence of father is getting slight on the growth of adolescence, it is potentially showing up that mother-child relationship may be come in conflict and struggle. The illusion of omnipotent mother can be caused that puts the daughter under the mother. On the other hand, at last,the girls return to the adult body which can get sexual desire or which can get a function of being pregnant and giving a birth, not purity such as an idiot, or a poor victim. This suggests that there is a new understanding of a girl who is not innocent child before differentiation of gender, but a main agent of a body. But, on the one hand, the girls in the reality makes their body be a place to have a pleasure or to overturn, for the adult artists, it is that the sex of adolescent can't legitimately be mentioned ty them because they have been experienced this as anxiety or fear. On the other hand, it felt out the possibility of new adventures by appearing girl losers cross over dichotomy but a repressive intolerance between the virgin and the villainess. For the meantime, in the fable-adolescent literature, when we consider that girls-women could not leave toward the road of adventure locked by the romance plot which is scattered everywhere, this change is breakthrough. However, we are concerning whether the feminism is holding hands with self-development discourse which can open a door of it for everybody who passes over a border arming challenge and self-confidence.