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中國 嶺南畵派 三傑의 出版活動 및 繪畫에 관한 試論 -일본 체험과의 관련을 중심으로-

Essay on publishing activity and painting by three important figures of Lingnan school

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The experiences of three chief features of Lingnan school岭南画派, Gao Jianfu高剑父, Gao Qifeng高奇峰, Chen Shuren陈树人, in Japan became the base of establishing the status as painter and revolutionary. The influences from Japan reflected in their publishing activity and their painting, which related with Japanese publishment, for example Shimbi Daikan眞美大觀 by Shimbi Shoin審美書院. It seems that the first time when Gao Jianfu went to Japan was about 1905'end and the beginning of 1906. Their cases reveals the position of Japan as 'the similar and strong other' for China, and may become important clue for explanation the order of East Asia in modern age.

Abstract

The experiences of three chief features of Lingnan school岭南画派, Gao Jianfu高剑父, Gao Qifeng高奇峰, Chen Shuren陈树人, in Japan became the base of establishing the status as painter and revolutionary. The influences from Japan reflected in their publishing activity and their painting, which related with Japanese publishment, for example Shimbi Daikan眞美大觀 by Shimbi Shoin審美書院. It seems that the first time when Gao Jianfu went to Japan was about 1905'end and the beginning of 1906. Their cases reveals the position of Japan as 'the similar and strong other' for China, and may become important clue for explanation the order of East Asia in modern age.

참고문헌 (36)

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