황해도 '배연신굿'의 '영산할아뱜 할먐 거리' 연구

Abstract

The Study of <Yeongsan halabyam halmyam Geori> of BaeyeonsingutHong Teahan(Chungang University)This is the study that examines the significance of the <Yeongsan halabyam halmyam Geori> of Baeyeonsingut. <Yeongsan halabyam halmyam Geori> is an important material that takes places in the Baeyeonsingut which has the significance of supplicating a big haul. All the materials of the Gut in Hwanghaedo mostly start with the Manseabaji and end with Nalmanseabaji. In contrast, <Yeongsan halabyam halmyam Geori> has neither Manseabaji nor Nalmanseabaji which is not the Gut material that engages the divine itself. It is significant in the aspect that it allows the general people who are not shamans to participate in the Gutpan and pray for the big haul themselves. When we look at the references of the shamanism in Chosun, <Yeongsan halabyam halmyam Geori> seems to have maintained its formality for a long time.If it is compared to the Talgut and Miyalgwajang, the characteristics of the <Yeongsan halabyam halmyam Geori> are clear. The Talgut shows the union of divine of couples with other motifs; however, the significance of praying for good harvest is weak. Also in Miyalgwajang, since it has the complication of the men and women, the significance of praying for the good harvest is weak. Most of all, in the Talgut and Bongsan Mask Dance, the professional actors are needed; whereas, in the <Yeongsan halabyam halmyam Geori>, it is more essential performance art because general people could participate in the ceremony. The Talgut and Miyalgwajang is performed by the people, that are actors, with the masks on the face. <Yeongsan halabyam halmyam Geori> is at the in-between position which the actors appear with the masks on their heads. It is the material that represents the duality of divine and human.