서울굿의 음악적 구성과 특성

Abstract

This article examines the musical aspects of Seoulgut and the musical characteristics such as pitches and modes. The objects of analysis was Jinjinohgigut which took place in Doryungsa, Toegyewon in 28th, March, 2004. There were there sorceresses, Lee, Young-hee, Kwon, Jung-Ok, and Yeo, Un-Suk and one bandman. The gutgeori, shamansong of Seoulgut can be categorized into various types in accordance with the songs used and rhythms. They are, Cheongbae, Taryeong, Noraegarak, Mansubaji, Noragarak+Mansubaji, and Malmi etc. This type shows a constant flow in the order of Cheongbae, Noraegarak, Youngsil, Taryeong, (Noraegarak·Mansubaji-Taryeong), Malmi, Noraegarak, Mansubaji on the stage of gut. On the other hand, The play of three-stringed instrument in Jinjinohgigut, Toegyewon is considerably retrenched, declined, and altered in comparison with the existing report. It is because the music of bandsman is threatened in the first place when the performance time and size of gut is reduced. The "Cheong" which the bandsman, "Choi, Hyung Keen" has used in Jinjinohgigut, Toegyewon is of five kinds: four-chung type. five-chung type, six-chung type, Gutgeori cheong, Ulbicheong, Bicheong. And the modes were of three kinds: "Kyeongtori" which uses sol, ra, ti, do, re, and mi, "Bankyeongtori" which uses ra, do, re, mi, and sol, and "Dangak mode" which uses do, re, mi, sol, and ra. The songs that a sorceress sings and most of the plays of three-stringed instrument utilize "Kyeongtori" which is the representative folksong mode in northern region of Kyeonggi province. Dangak singularly utilizes the musical scales of China. Dangak has very effective role of switching the atmosphere due to the fact that it has unique scale and also it plays a principal role signaling "Sinnaerim" or creating a sense of termination