서울굿 노랫가락의 구성과 의미

Abstract

This paper is the proceeding work for examining the relation of Sijo and Seoul shaman Norae-Karak songs, which hold the same form in common. In this paper I showed the contents of Norae-Karak songs in 4 shamaistic materials. They are The Study of Chosun Shamanistic Customs(by Akiba Takasi, 1937), The Collection of Korean Shaman Songs 1(by Kim TaeGon, 1966), An-Anpak Goot of Seoul(by Kim HeonSeon, 2004), and The Holy Songs of Seoul SaeNamGoot(1996). To sum up, the following conclusions can be made: 1. Norae-Karak songs appear generally in the Seoul Goot that is shaman service. They are indispensible and essential elements of the service as much as GongSoo(a kind of communication with human and gods) or ChongBae(inviting gods to the shaman services). This is a disproof to the idea that Norae-Karak songs were derived from Sijo in late 19th century. 2. The standard style of Norae-Karak songs is composed of "Praise - Inviting gods - Wishing man's desires - Solicitation to gods". In Jin-O-Gui Goot the contents of Wishing human desire are replaced by Wishing for the dead going to heaven. Spirit Norae-Karak songs are short and diminished. There are standard form, varied form and abridged form in Norae-Karak songs. They have also Norae-Karak songs in the West and South area of Kyongi Province. We need another research for the relation of them to Seoul Norae-Karak songs.