최승희 춤 활동에 대한 한국과 일본의 반향

Abstract

This purpose of this study was the world's dancer Choi Seung-hee of Japan and South Korea about dance activities in the evaluation is to investigate. 1930-1940, especially in the center's evaluation of the analysis. The data collected by the literature being published in newspapers or magazines, or her biography focuses on articles about the dance was described, Choi Seung-hee of South Korea and Japan at the time as possible in the presence of a focus of research and looked at evaluation. As a result, Choi Seung-hee of South Korea in the evaluation of the ‘Korean dance caricature' and has this week criticized the lack of philosophy. However, the influence of some intellectuals and the media could be present as a special Korean dancers. Meanwhile, Japanese and Koreans in Japan, as well as the Cultural Arts brings some anticipation as the dark era of Japanese colonial period as a new hope has emerged. And expand the national dance of material for her actions affect Japan's Renaissance movement characteristics, when you're in a recession as a war dance scene in the hopes of strand was supported by Japanese culture is. The patriotic spirit of her dancing and was a manifestation of the spirit of nationalism or ethnicity. Although the expression of the immature state, or painting , but the ‘Scent of Korea’ itself, which embodies the ‘national mood’, respectively. Moreover, Koreans in Japan who had been seared in japan some of her dancing was a hope and pride. Also think about the pain was the reason. Choi Seung-hee is a Korean dance Refrain Korea, in Japan society over time korea has received positive reviews. When evaluating a dancer at the time without considering the historical situation at the moment is to evaluate any one-sided reporting only have a lot of stock. And South Korea for the dance scene to be very carefully studied should be considered.