동해안별신굿 굿놀이의 변화양상과 요인

Abstract

In this article, I would like to pay attention to the changes of Shaman's play as a part of examining the process of change of Donghaeanbyeolsingut. Currently, Shaman's play can be seen in Baekseok2-ri, Byeonggok-myeon, Yeongdeok-gun, Gugye-ri, Namjeong-myeon and Yeongdeok-gun. Among them, Shaman Ritual of Baekseok2-ri is short in cycle and easy to see change. In Shaman Ritual of Baekseok2-ri, various Shaman's plays such as Jungdodukjabi(중도둑잡이), Wonnimnori(원님놀이), Talgut(탈굿), Mallori(말놀이), Hotalgut(호탈굿) and Georigut(거리굿) are performed. Shaman's play carried out in Donghaeanbyeolsingut changes every time it is carried out. Depending on the degree of change, it can be classified into passive change and positive change. While passive changes are improvisational, aggressive changes are intentional. Shaman's plays are jungdodukjabi, Mallori, Hotalgut, which are the improvisational changes, and the intentional changes are Wonnimnori, Talgut, Georigut. The biggest change in Shaman's play is the disappearance of the Shaman Ritual. The Shaman Ritual is suspended due to lack of people, financial difficulties, religious conflicts or rational accidents. Secondly, the period of separation is shortened or shortened. This causes Shaman's play to be dropped or shrunk to change. In Shaman Ritual, changes in Shaman's play are variable and creative. The change due to the intervention of the spectators is mainly improvisation. On the other hand, the change by the preliminary plan of the acquaintance is intentional, and the change is large. The changing factors of Shaman's play are influenced by the demands of the times and the recognition of the tradition group. Changes in the traditional environment can be attributed to lack of human resources, individualism, changes in the working environment and time constraints. At the same time, giving autonomy to traffickers is a major reason for Shaman's play to change.