전남 세습무당굿에서 나타나는 무가의 즉흥음악성 - 진금순‧이장단의 <치국잡이> 무가를 중심으로

Abstract

This study focuses on two shamans Jin Geum-soon and Lee Jang-dan, who are actively performing among shamans in the Jeonnam region, which are the basis of improvised music, and observes their rituals, and the improvisational musicality revealed in Chi-guk-jab-i sung by these shamans. The purpose of this study was to clarify the characteristics of the two shamans and to examine the individual improvisation styles of the two shamans. Jin Geum-sun's individual performance style is that she uses a stylized pattern to connect phrases. The phrases that make up the opening phrase, the ending section, and the main phrase of the lyrics are used as a constant frame during improvisation by placing a fixed melody, and in the rest of the section, the b melody type and the ending section c emphasizing the central notethat you use frequently. Melodies are weaved through variations, and it shows improvisation, expressing the same lyrics in different rhythms and melodies. The individual performance style of Lee Jang-dan shaman is that most of the shamanic song melodies are similar melodies, and it can be said that the lyrics is published with slight variations on previously known melodies. When connecting a phrase to a phrase, it is revealed that the lyrics are placed in the first half and the last syllable is a variation of a phrase in the form of a one-letter style with a downward melody. The commonality of the improvisational aspect of the two shamans is that they do not sing a new melody but sing a melodic form through variations. The actual results of the individual improvisation patterns studied through the shamanic song Chi-guk-jab-i did not meet the expectations of the researcher. Jin Geum-soon uses a certain type of frame that connects the lyrics and phrases, and calls the repeated phrases and melodies slightly differently, so it's more like a variation rather than a pure improvisation. Lee Jang-dan has many repetitions of similar melodies, and it is difficult to recognize as pure improvisation, like Jin Geum-soon, only showing variations of similar melodies. In the 21st century, when two shamans are active, it is difficult to find Jeju who want a ritual, and the place of the ritual is as pure as before. Because there is no change in the performance environment, the musical expression performed at this time is also thought to be due to the reduction of improvised external factors. Although the performance time is different, it uses a variety of affixes that make it impossible to find a certain rule, and while freely using a wide range, it starts from a high note and seems to go down in sequence, while a curved melody and the characteristic of leaping at the end of the melody are seen, and it is actively used. The improvisation of Kim Dae-rye, the master of martial arts, who always contrasts with the long-drawn notes and melodic harmonies, was presented as a sample of the improvisational aspect that Jin Geum-soon and Lee Jang-dan shaman should expand and develop in the future.