씻김굿 무가의 가창 방식과 의식 음악적 기능

Abstract

At the performance field of gut in each region, there are many people who enjoy gut. The preferred parts such as stories, dances, and songs vary according to regions. This article focused on sitgimgut of Jeollado, which enjoys singing, and examined the singing style and ritual function. The following are the results. Firstly, sitgimgut of Jeollado uses solo and chant the most. Unlike other regions, there is a huge portion in the use of chant. The chant which leads and receives in a short manner allows a very unique scene where the shamanness and the public are singing the shaman song together. It is probably a choice which reflected the preference of people in Jeollado who enjoy singing. Secondly, the solo of sitgimgut belongs to pulli and maji style shaman songs and it is very important in the ritual organization. Therefore, a shamanness chooses salpuli style, utmori, and irregular beats of fast rhythms to deliver the lyrics and minimizes the instrumental organization and accompaniment. Thirdly, the chant which has irregular unit of leading and receiving is used in maji style shaman songs and sungju puli style shaman songs. The irregular chant uses rhythms such as Jinyangjo, Gutguri, and Jungmori and it is very strong in melody and formality unlike the solo style. However, the length merinun sori and batnun sori can be set different to secure artistic sophistication and facilitate the delivery of lyrics. Fourthly, the regular chant that has a regular leading and receiving unit has a very short unit of leading and receiving. The identical receiving sori allows the public to sing it and maximize the accompaniment of performers. Usually, it is created for expanding the prayer-related scene at the end of Jesukgut and expanding the guiding of the deceased in paving-road and it can be said to have been created at the scene of maximizing shaman scene. Fifthly, There are cases of combining the lyric and song together, namely, Cheongunmal+Cheongunsori and Huisul. Cheongunmal is much more efficient in delivering lyrics and creating a myterious atmosphere when it is expressed in Umyoungjo and lyrics of free rhythm rather than expressed in songs. When Cheongunmal is expressed in Umyoungjo, there is a focus on the lyric and tension is built, which becomes relaxed when Cheongunsori is sung together in a friendly repeating manner. The singing style of sitgimgut is closely related to the characteristics of songs, the use of rhythms, the forms of accompaniment, and the ritual musical function. Especially, unlike gut music of other regions, chant is remarkably used to meet the preference of the public and this clearly shows the characteristics of Jeollado sitgimgut.