15-16세기 이탈리아 베네치아 지역 회화에 나타난 텍스타일의 특징
Characterization of Textiles in Venezian Paintings in 15th-16th Century Italy
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The purpose of this study is the characterization of textiles in venezian paintings of 15th-16th century Italy. There are selected nine venezian paintings, three paintings by Gentille Bellini(1492~1507), one by Giovanni Bellini(1430~1516), two by Gorgione(1478~1511), and three by Tiziano Vecellio(1490~1576). The choosen paintings depict the figures is excellent. The theoretical background about venezian and venezian paintings are considered through related literature. The mainly color showing from the Venezia pictures of 15th~16th century is red. Beside black and green, blue color were visible. Also it is a textile goods which to get formed the fabric which 15~16 centurial venezia is most gorgeous the gold and silver company is mixed and comes. The textile goods was the most satin and the velvet. At that time was various and expresses a red color the dye for used the brazil wood, the madder and the kermes. The textiles dyed with various dye stuff has the symbolic meaning of each identity.
Abstract
The purpose of this study is the characterization of textiles in venezian paintings of 15th-16th century Italy. There are selected nine venezian paintings, three paintings by Gentille Bellini(1492~1507), one by Giovanni Bellini(1430~1516), two by Gorgione(1478~1511), and three by Tiziano Vecellio(1490~1576). The choosen paintings depict the figures is excellent. The theoretical background about venezian and venezian paintings are considered through related literature. The mainly color showing from the Venezia pictures of 15th~16th century is red. Beside black and green, blue color were visible. Also it is a textile goods which to get formed the fabric which 15~16 centurial venezia is most gorgeous the gold and silver company is mixed and comes. The textile goods was the most satin and the velvet. At that time was various and expresses a red color the dye for used the brazil wood, the madder and the kermes. The textiles dyed with various dye stuff has the symbolic meaning of each identity.
참고문헌 (14)
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- 박성은, "15세기 플랑드르 제단화에 나타난 봉헌자 초상화", 서양미술사학회 논문집, 17, pp.45~74 (2002), 서양미술사학회
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