벨리니家의 화가들 : 15세기 베네치아 회화에 나타난 이국적 특징

Abstract

The purpose of this study is to find the exotic characteristic of the 15th century Venetian paintings of the Bellini family painters which had the greatest reputation among family studios in Venice and cultivated as many as three representative painters of the Republic- Jacopo Bellini, Gentile Bellini, Giovanni Bellini. In chapter Ⅱ, the history of the Venetian family studios- Bottega- and the position of the Bellini family within it was dealt. For the family studios in Venice, generally the family’s unique style of painting is traditionally carried down, however it is a prominent characteristic of the Bellini family studio that the uniqueness of each individual painter is evident. The commonality of the three painters of the Bellinis is that they were influenced from ‘outside Venice’ on establishing their own unique style of painting. In chapter Ⅲ the exotic taste of the painters of the Bellini family were examined. Jacopo made it clear through the two sketchbooks which showed his diverse taste that the Venetian paintings did not put coloring above the near space organization. During his travels of the East Gentile encountered the Islam culture and he took in their scientific outlook and vividly showed the true picture of those times through his record paintings. Giovanni took interest in the new motives from over the north of the Alps and expressed it through his unique formative arts. The otherness of the Venice did not naturally come into being in their atmosphere, it resulted out of selectively reacting to the new tides from the outside and making it more abundant through fusing it with what existed inside. The painters of the Bellinis had an exquisite talent in developing unique styles of painting by absorbing the new stimuli from around them. The significance of this thesis is bringing out the ‘exotic fertilization’ of the Venetian paintings of the 15th century.