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복식에 나타난 색채상징 - 르네상스기의 이탈리아 복식을 중심으로 -

Color Symbol of Costume - focusing on Renaissance Italian Costume -

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초록

It was in the fifteenth century in Italy that men began to talk of a rebirth in the arts and literature. Today we consider the period to belong to the Renaissance. We noticed the splendour of costume and the important role it played, in the life of Italian society in that period. From elsewhere in Europe and also from the East, dyestuffs came to Italy overland or in shiploads. Red and blue, notably kermes and madder on the one hand, and indigo and woad on the other were fundamental textile dyes in Italy. Saffron was used for yellows, oak galls for blacks. Renaissance Italian costumes' main color symbolized various meaning. Red symbolized high rank, affection, lady, redemption and various cardinal virtueses. Yellow was evaded color which was symbolized the lower class, betrayal, and gold. Green symbolized penniless, youthfulness, hope and love. Blue symbolized humbleness, sincerity, knowledge and the Madonna. Purple symbolized nobility, vice and various meanings. Black symbolized death, grief, beauty and elegance. These color symbols in the Renaissance Italian costumes were very similar to that of modern color symbols.

Abstract

It was in the fifteenth century in Italy that men began to talk of a rebirth in the arts and literature. Today we consider the period to belong to the Renaissance. We noticed the splendour of costume and the important role it played, in the life of Italian society in that period. From elsewhere in Europe and also from the East, dyestuffs came to Italy overland or in shiploads. Red and blue, notably kermes and madder on the one hand, and indigo and woad on the other were fundamental textile dyes in Italy. Saffron was used for yellows, oak galls for blacks. Renaissance Italian costumes' main color symbolized various meaning. Red symbolized high rank, affection, lady, redemption and various cardinal virtueses. Yellow was evaded color which was symbolized the lower class, betrayal, and gold. Green symbolized penniless, youthfulness, hope and love. Blue symbolized humbleness, sincerity, knowledge and the Madonna. Purple symbolized nobility, vice and various meanings. Black symbolized death, grief, beauty and elegance. These color symbols in the Renaissance Italian costumes were very similar to that of modern color symbols.

참고문헌 (13)

  1. "오라소마 컬러테라피"[URL]
  2. 城 一夫, "色彩博物館", pp.143~ (1997), 明現社
  3. 城 一夫, "色彩の宇宙誌", pp.95~ (1993), 明現社
  4. ホイジンガ, "中世の秋", pp.495~ (1980), 中央公論社
  5. Michel Pastoureau, "ヨ-ロッパの色彩", pp.19~178 (1996), パピルス
  6. 日本流行色協會, "DATAVIEW", pp.57~221 (1987), JAFCA
  7. 伊藤亞紀, "色彩の回廊", pp.100~ (2002), ありな書房
  8. 이경희, "15세기 Italy복식에 관한 연구", 석사, pp.1984
  9. 21世紀硏究會編, "色彩の世界地圖", pp.147~ (2003), 文藝春秋
  10. 德井叔子, "服飾の中世", pp.14~37 (1995), 勁草書房
  11. 카이사르, "갈리아전기", pp.150~ (2006), 범우
  12. 조반니 보카치오, "서해문집", pp.84~87 (2007)
  13. Jacqueline Herald, "Renaissance Dress in Italy 1400-1500", pp.90~96 (1981), Bell & Hyman

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