1829년 <명정전진찬도>의 정재차비(呈才差備) 복식 연구
Costume of Entertainers on <Royal Banquet in Myeongjeongjeon> in 1829
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
The result is as follows to survey the characteristic of performance of Myeongjeongjeon in 1829, role, costume composition and characteristic of entertainers at banquet, and to suggest the illustrations. First, it is decreased the ratio of musical instrument to play chinese music(唐樂器) for the musical instrument composition of Myeongjeongjeon banquet, so court music became Korean music(鄕樂). At banquet of Myeongjeongjeon, unofficial singer(歌者) was first invited to court banquet and sang a song to the accompaniment of geum(琴), seul(瑟). Each entertainer of performance <Royal Banquet in Myeongjeongjeon> is music officer(協律郞), musical director(執事樂師), conductor(執拍典樂), singing teacher(先唱典樂), player(樂工), boy dancer(舞童), unofficial singer(歌者), official singer(歌差備) and a band of Seonjeonkwanchung(內吹). Second, music officer, musical director and singing teacher wore Heukdalryeong(黑團領). Conductor wore bokdu(幞頭) with both legs bent upward, green official attire(公服), black belt(烏鞓也字帶) and black-leathered boots. Player and official singer wore the bokdu with peony, red dalryeong, black belt, and black-leathered boots. Boy dancers wore lotus crown(芙蓉 冠) after tying a topknot, navy, black, red, green dalryeong, inner robe(中單), skirt, brass belt(豆錫綠鞓也字帶) and flowers painted black boots. It was the regular dress code not to reveal outside, wearing beneath dalryeong for skirt of boy dancer in this period. The dalryeong of conductor, player, official singer and boy dancer was all single layer. Unofficial singer wore purple head cloth, green dalryeong, purple cotton juui(周衣), purple waist cord(廣帶) and black boots. A band of Seonjeonkwanchung wore yellow straw hat, yellow cheolrik, navy military sash(戰帶) and unhye. Third, mock gold was used for the position in the cloth materials of entertainer. Fourth, it records the price of costume items of entertainer, and requested the material and cost to the relevant department. On the contrary, unofficial singer can make and wear clothes each, by fixing price of items of costume and paying cost.
Abstract
The result is as follows to survey the characteristic of performance of Myeongjeongjeon in 1829, role, costume composition and characteristic of entertainers at banquet, and to suggest the illustrations. First, it is decreased the ratio of musical instrument to play chinese music(唐樂器) for the musical instrument composition of Myeongjeongjeon banquet, so court music became Korean music(鄕樂). At banquet of Myeongjeongjeon, unofficial singer(歌者) was first invited to court banquet and sang a song to the accompaniment of geum(琴), seul(瑟). Each entertainer of performance <Royal Banquet in Myeongjeongjeon> is music officer(協律郞), musical director(執事樂師), conductor(執拍典樂), singing teacher(先唱典樂), player(樂工), boy dancer(舞童), unofficial singer(歌者), official singer(歌差備) and a band of Seonjeonkwanchung(內吹). Second, music officer, musical director and singing teacher wore Heukdalryeong(黑團領). Conductor wore bokdu(幞頭) with both legs bent upward, green official attire(公服), black belt(烏鞓也字帶) and black-leathered boots. Player and official singer wore the bokdu with peony, red dalryeong, black belt, and black-leathered boots. Boy dancers wore lotus crown(芙蓉 冠) after tying a topknot, navy, black, red, green dalryeong, inner robe(中單), skirt, brass belt(豆錫綠鞓也字帶) and flowers painted black boots. It was the regular dress code not to reveal outside, wearing beneath dalryeong for skirt of boy dancer in this period. The dalryeong of conductor, player, official singer and boy dancer was all single layer. Unofficial singer wore purple head cloth, green dalryeong, purple cotton juui(周衣), purple waist cord(廣帶) and black boots. A band of Seonjeonkwanchung wore yellow straw hat, yellow cheolrik, navy military sash(戰帶) and unhye. Third, mock gold was used for the position in the cloth materials of entertainer. Fourth, it records the price of costume items of entertainer, and requested the material and cost to the relevant department. On the contrary, unofficial singer can make and wear clothes each, by fixing price of items of costume and paying cost.
참고문헌 (55)
- 윤은영, "춘앵전 정재 여령 복식에 관한 연구 - 황초삼을 중심으로 -", 한복문화, 18(1), pp.113~131 (2015), 한복문화학회[DOI]
- 박가영, "조선시대 궁중정재복식의 디자인 요소와 특성", 한국디자인포럼, (44), pp.395~406 (2014), 한국디자인트렌드학회
- 최윤희, "조선시대 궁중검기무 복식에 관한연구", 석사, 전통복식디자인, pp.2010
- 박가영, "순조대 궁중무용복식 고증과 디지털콘텐츠화 - 춘앵전 정재 복식을 중심으로 -", 한복문화, 11(1), pp.117~133 (2008), 한복문화학회
- 조미라, "조선후기 순조대 궁중연향 복식에 관한 연구", 석사, 복식사, pp.2006
- 김현정, "고종 신축진찬·진연의궤에 나타난 복식 비교 연구", 석사, 전통복식, pp.2006
- 한국정신문화연구원, "조선후기 궁중연향문화 1-3" (2003), 민속원
- 이영미, "의궤에 나타난 정재복식 연구", 박사, 의상·아동학, pp.2004
- 김경실, "조선시대 궁중진연 복식" (2003), 경춘사
- 최선미, "조선소 궁중정재 복식 연구: 처용무, 연화대, 학무를 중심으로", 석사, pp.1992
- 고윤정, "조선시대 궁중악인 복식 연구", 석사, pp.2015
- 강민정, "조선시대 궁중정재에 나타난 동기복식 연구", 석사, 전통의상학, pp.2007
- 오혜경, "조선시대 무동복식에 관한 연구", 석사, 전통의상학, pp.2007
- 이은주, "영성제(靈星祭) 복원을 위한 무동복식 고증", 한복문화, 19(1), pp.133~148 (2016), 한복문화학회[DOI]
- 한국궁중복식연구원, "효명세자 창작정재 복식고증:순조사순생신 진찬연을 중심으로", ~ (2006)
- 宋芳松, "國譯 純祖己丑進饌儀軌 卷首 卷一", pp.111~122 (2007), 민속원
- "春官通考(古朝31-234) 권50, 250"[URL]
- "己巳進表裏進饌儀軌, 10b"[URL]
- "春官通考 권50", 251~
- "己巳進表裏進饌儀軌", 11~
- 신경숙, "조선후기 宴享儀式에서의 歌者", 국제어문, (29), pp.299~324 (2003), 국제어문학회
- 신경숙, "조선조 外宴의 성악정재, 歌者", 시조학논총, (23), pp.189~212 (2005), 한국시조학회
- "進饌儀軌 001, 133"[URL]
- 신경숙, "조선조 외연의 가객 공연도", 시조학논총, (36), pp.90~121 (2012), 한국시조학회
- 신경숙, "19세기 가객과 가곡의 추이", 韓國詩歌硏究, 2, pp.274~280 (1997)
- 宋芳松, "國譯 純祖己丑進饌儀軌 卷三", pp.111~ (2007), 민속원
- 국립고궁박물관, "왕실문화도감 궁중악무" (2015)
- 최선아, "협률랑(協律郞)의 관제(官制)에 관한 연구", 한국음악사학보, (55), pp.237~261 (2015), 한국음악사학회
- "樂學軌範 卷6, 照燭", ~
- 송방송, "한겨례음악대사전(하)", pp.1775~1776 (2012), 보고사
- 송방송, "한겨례음악대사전(상)", pp.936~ (2012), 보고사
- 국립중앙박물관, "조선시대 궁중행사도Ⅰ", pp.40~ (2010)
- "樂學軌範 卷2, 正殿禮宴女妓樂工排列圖", ~
- "受爵時儀軌 002, 23"[URL]
- 宋芳松, "國譯 純祖己丑進饌儀軌 卷二", pp.36~ (2007), 민속원
- "己巳進表裏進饌儀軌", 17~
- 이경희, "1829년 <명정전진찬도>의 산선시위(繖扇侍衛) 복식 유형", 한복문화, 19(2), pp.123~142 (2016), 한복문화학회[DOI]
- "進饌儀軌 001, 110", ~
- "己巳進表裏進饌儀軌", 16~
- "進饌儀軌 001, 108", ~
- "樂學軌範 卷9, 紅紬衣", ~
- 대전선사박물관, "동츈당뎐", 92~93 (2010)
- "進宴儀軌 001, 169"[URL]
- "進宴儀軌 002, 25-27"[URL]
- "進宴儀軌 001", 165~167
- "受爵時儀軌 002", 37~38
- 이혜구, "신역 악학궤범", pp.535~ (2000), 국립국악원
- "受爵時儀軌 002", 37~38
- "進宴儀軌 001", 167~168
- "受爵時儀軌 002", 36~37
- "進饌儀軌 001", 111~
- 安東金氏墳墓 發掘調査 報告書, "溫陽民俗博物館", 174~ (1989)
- "受爵時儀軌 002", 38~39
- "進饌儀軌 001", 143~
- 진덕순, "조선후기 평정건 재현에 대한 고찰", 2016년 한복문화학회 추계학술대회자료집, pp.208~209 (2016)