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수국사 목조아미타여래좌상 불복장의 문직물 연구

Study on Patterned Silk Textiles from the Seated Wooden Amitabha Buddha in Suguksa Temple

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초록

This research analyzes the features and weaving techniques of the pattern silk stored in the wooden seated statue of Amitabha in the main sanctuary of Suguksa temple. In the statue, twenty-two patterned silk textiles and three pattern systems were found: damask, gauze and weave with supplementary weft. One tabby damask uses tabby as a ground and weft float for its pattern. The twelve satin damasks consist of seven different types. All the satin damasks took 5-end satin. A weft yarn made from two threads is used, but starch weft yarns are also shown. Two different kinds of seven Munsa utilized a weaving technique of taking 2-end simple gauze as a ground and a plain weave for its pattern. Four gold (silver) woven silks have also been found. They consist of two satin grounds (Jikgeumdan) and one complex gauze ground (Jikgeumra). For Jikgeumra, gold warps are bound with every fixed warp in a 4-end twill on the front side, and on the reverse side, they are floated. Lastly, three cloud pattern Hwara (complex gauze with supplementary silk thread) have also been discovered. Their supplementary wefts are bound with every fixed warp in a 4-end irregular twill on the front side. On the reverse side, the supplementary wefts are bound with every crossing warp in twill. In conclusion, based on these weave structures and patterns, the relics are presumed to have been enshrined in 1562.

Abstract

This research analyzes the features and weaving techniques of the pattern silk stored in the wooden seated statue of Amitabha in the main sanctuary of Suguksa temple. In the statue, twenty-two patterned silk textiles and three pattern systems were found: damask, gauze and weave with supplementary weft. One tabby damask uses tabby as a ground and weft float for its pattern. The twelve satin damasks consist of seven different types. All the satin damasks took 5-end satin. A weft yarn made from two threads is used, but starch weft yarns are also shown. Two different kinds of seven Munsa utilized a weaving technique of taking 2-end simple gauze as a ground and a plain weave for its pattern. Four gold (silver) woven silks have also been found. They consist of two satin grounds (Jikgeumdan) and one complex gauze ground (Jikgeumra). For Jikgeumra, gold warps are bound with every fixed warp in a 4-end twill on the front side, and on the reverse side, they are floated. Lastly, three cloud pattern Hwara (complex gauze with supplementary silk thread) have also been discovered. Their supplementary wefts are bound with every fixed warp in a 4-end irregular twill on the front side. On the reverse side, the supplementary wefts are bound with every crossing warp in twill. In conclusion, based on these weave structures and patterns, the relics are presumed to have been enshrined in 1562.

참고문헌 (11)

  1. 송일기, "守國寺 木造阿彌陀佛坐像의 腹藏典籍 硏究", 서지학연구, (58), pp.119~146 (2014), 한국서지학회[DOI]
  2. 문명대, "수국사 고려(1239년) 아미타불좌상의 연구", 미술사학연구, 255(255), pp.33~64 (2007), 한국미술사학회[DOI]
  3. 문화재청, "문화재위원회 회의록 동산문화재분과 상3-3권", 문화재청, 2621~ (2008)
  4. 박윤미, "수국사 불복장 섬유류에 관한 고찰", 강좌미술사, (31), pp.177~204 (2008), 한국불교미술사학회
  5. 심연옥, "한국직물오천년", pp.45~ (2002), 고대직물연구소출판부
  6. 심연옥, "한국직물문양 이천년", pp.194~ (2006), 고대직물연구소출판부
  7. 심연옥, "사(紗), 라(羅)직물의 제직기술에 관한 연구,", 한국복식, (19), pp.25~ (2001)
  8. 심연옥, "직금ᆞ자수에 사용된 금사의 형태와 특징 비교 고찰", 복식, 63(7), pp.79~93 (2013), 한국복식학회[DOI]
  9. 수덕사 근역성보관, "至心歸命禮 - 織⋅染⋅繡, 그리고 佛敎", 수덕사 근역성보관, 237~ (2006)
  10. 강선정, "송광사 영산전 석가모니불 복장직물에 관한 연구", 한복문화, 19(4), pp.201~214 (2016), 한복문화학회[DOI]
  11. 閔泳珪, "長谷寺 高麗鐵佛 腹藏遺物", 人文科學, 14-15, pp.237~425 (1966)

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