본산대놀이 계통 가면극에서 착용하는 장삼(長衫)의 외연적 요인에 관한 연구
A Study on the Extrinsic Factors of Jangsam worn in the Bonsandae-Nori type mask dramas
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Understanding masquerade costumes leads not only to the proper succession of traditional culture but also to an understanding of what the society to which the group belongs is trying to express through mask drama. The purpose of this study was to examine the shape, color, pattern, and formative features of Jangsam worn in the types of Bonsandae-Nori, a masked play, and to investigate the extrinsic factors. Data were analyzed through literature research and field surveys conducted in 2016-2017. The results are as follows. First, the shape of Jangsam was classified according to the sleeve type. Daesu-type Jangsam(I) was a basic type of monk Jangsam in the late Joseon Dynasty and was worn as a means of expressing the status of the elder. Daesu-type Jangsam(II) was influenced by the shamanistic component. The complex type of Jangsam was a sleeve style that can only be seen in a masquerade, and it seemed to be transformed by a masquerade performer to stand out the dance. Jangsu-type Jangsam was adopted by the performers to express the character's character and role. Second, white meant purity and black meant impurity in the color of Jangsam; Gray was used as a means of expressing roles as a general monk's color. Also, gray and black were negative colors among the five colors, symbolizing a person who has lost productivity. Third, the pattern of Jangsam was worn only by some characters. Omjung, a monk suffering from skin disease, wore a dragon-drawn Jangsam to drive out mischief and injustice. Nunkkeumjeokyi wore a tiger-drawn Jangsam to expresses the role of Jisalseong.
Abstract
Understanding masquerade costumes leads not only to the proper succession of traditional culture but also to an understanding of what the society to which the group belongs is trying to express through mask drama. The purpose of this study was to examine the shape, color, pattern, and formative features of Jangsam worn in the types of Bonsandae-Nori, a masked play, and to investigate the extrinsic factors. Data were analyzed through literature research and field surveys conducted in 2016-2017. The results are as follows. First, the shape of Jangsam was classified according to the sleeve type. Daesu-type Jangsam(I) was a basic type of monk Jangsam in the late Joseon Dynasty and was worn as a means of expressing the status of the elder. Daesu-type Jangsam(II) was influenced by the shamanistic component. The complex type of Jangsam was a sleeve style that can only be seen in a masquerade, and it seemed to be transformed by a masquerade performer to stand out the dance. Jangsu-type Jangsam was adopted by the performers to express the character's character and role. Second, white meant purity and black meant impurity in the color of Jangsam; Gray was used as a means of expressing roles as a general monk's color. Also, gray and black were negative colors among the five colors, symbolizing a person who has lost productivity. Third, the pattern of Jangsam was worn only by some characters. Omjung, a monk suffering from skin disease, wore a dragon-drawn Jangsam to drive out mischief and injustice. Nunkkeumjeokyi wore a tiger-drawn Jangsam to expresses the role of Jisalseong.
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