본산대놀이 계통 가면극의 노장과장과 할미ㆍ영감과장 복식에 나타난 오방색 의미 분석: 삼각관계 인물을 중심으로

Abstract

Gwajang and HalmiㆍYeonggam Gwajang in Bonsandae-Nori type mask drama and considered the ways of expressing fertility and abundance in terms of costumes. As research methodology, literature review and field survey were used for data analysis. In Nojang Gwajang, the Obangseak appeared in the costume of Nojang was black, which has a negative image like winter and disaster. The Obangsaek appeared in the costume of Chuivali was blue and red, which carries the meaning of spring and summer, respectively and also indicate growth of urban mask drama presiding group and Byeoksa’s defeat over disaster. The Obangsaek appeared in the costume of Somu was blue, red, and yellow and symbolizes fertility and abundance that are based on the energies of spring, summer, and soil. In HalmiㆍYeonggam Gwajang, the black color appearing in the costume of Halmi indicates a figure who lost productivity, and the Obangsaek appeared in the costume of Halmi and Yeonggam is white and thus means death and loss of productivity or expresses sanctity and costumes of plain folks. The Obangsaek appeared in the costume of concubine is red and yellow and thus indicates the power of developing vitality, happiness and abundance. Therefore, the Obangsaek appeared in the costumes of Nojang and Chuivali, Halmi and concubine means a confrontation between the season when farming is impossible and the season of farming, and Nojang kicked out by Chuivali or Halmi killed by concubine in the fight between death and vitality is an expression of homeopathic magic that prays for the coming of the season of farming. But the combination of Chuivali and Somu who had productivity prays for fecundity as birth of a new baby, new life and the combination of Yeonggam who lost productivity with concubine who possess productive capacity prays for fecundity with the death of Halmi because of the absence of creation of life.