시조 시형의 정립 과정에 대하여 -악곡과 관련하여-

Abstract

"Mandaeyeop", the origin of the contemporary Gagok, has been the major subject of examination with regard to the study of the origin of Sijo. This study aims at proving that Sijo had been formed under the direct influence of "Mandaeyeop" by comparing the style of "Mandaeyeop" and that of Sijo. The common form of Sijo with 4 phrases and 3 lines has semblance to that of Goryeo-gayo before "Mandaeyeop". Looking at the original form of Gang and Yeop that are the unit of Goryeo-gayo, it is easy to put a three-foot line on Gang whereas Yeop is easier to assume a two or four-foot line. Rolling over to the later stage, the unit of Yeop became more common, thus four-foot lines prevailed. The units such as Daeyeop or Buyeop were sung as independent piece. The four-foot and three-line form of Sijo is originated from those units. The four-foot and three-line form of Sijo had been refined through the course of adding to the lines of "Mandaeyeop". The unique meter of the last line of Sijo seems to originate from the rhyme allocation practice of "Mandaeyeop" and "Jinjak Ⅲ", which preceeds "Mandaeyeop". In addition, the three-foot line commonly found in the early form of the second line of Sijo also has a close tie with the form of "Mandaeyeop". In conclusion, Sijo is the genre that had been developing, closely related to the music such as "Mandaeyeop", on which the discussion of when Sijo first sprouted off could be further elaborated.