유만주의 윤선도 시조 한역의 배경과 양상 -<어부사시사>와 <만흥>을 중심으로-

Abstract

This study set out to investigate the social and personal background behind Yu Man-ju, a scholar of Noron family, translating <Eobusasisa漁父四時詞> and <Manheung漫興> into Chinese well as the patterns of translation into Chinese. Growing in an environment in which the Gyeonghwasajok京華士族 enjoyed Shijo in the middle and late 18th century, Yu naturally accepted the translation of Shijo into Chinese as a taste. It was his affection for literary works in his native tongue, interest in natural matters, and yearning for the level of unworldliness that drove him into translating the Shijo works of Yun Seon-do into Chinese. The examination of the patterns in which he translated Shijo into Chinese revealed that he usually adopted four patterns, taking the direction of keeping the original words in the Shijo works intact in almost the Jangdangu pattern with a focus on Shijo. He also created new images by combining the Shijo works of similar images. He usually chose the Shijo works that depicted the beautiful natural scenery of fishing villages and reflected a leisurely fishing life for translation into Chinese. The study results show that Yu was a scholar with his own belief, making a bold escape from the partisan and school-related bondage and pursuing his own literary taste. They also imply that there was an atmosphere for free literary creations in an emerging state in the middle and late 18th century.