蘆溪歌辭에 나타난 場所性의 양상과 그 의미

Abstract

The purpose of this paper is to consider Park In-Ro's works newly by using the concept of humanistic geography and to to take a look at their features and significance. As a result, the new facts that we have neglected all the while could be confirmed. It is very important that the effort he had to live faithfully as a Confucian scholar was projected to his works. Also it is important that his works focused on the existential anxieties and identity issues as a Confucian scholar. The problem of placelessness and existence was raised as an important topic in Nuhangsa, the experience in various places and identity recovery efforts were urgently addressed in Sajegok, Soyujeongga and Dokrakdang, and it was found out that Existence and identity through his ​​intense topophilia was restored in Nogyega. After all it could be an important feature of his works that his existential foundation and the basis of the formation of identity is closely related to the placeness. In addition, his works have close relevance to each other and have an effect on each other. In doing so, they greatly influenced to acquire his own place. This is an important feature too. So far most of the research on Park In-Ro's works concentrated their attention upon only several works. Therefore, there appeared to be little the study that investigates the organic association or the core features of works. Accordingly it is significant in that this paper is the new research on Park In-Ro's works by using the concept of humanistic geography.