만횡청류의 운명-『청구영언』 수록 전과 후

Abstract

This study set out to demonstrate that the fate of Manhoingcheongryu changed following its inclusion in Kim Cheon-taek's Cheongguyeongeon. It seems that Manhoingcheongryu was not a collection of Gagoks until it was included in his Cheongguyeongeon. While compiling Cheongguyeongeon, Kim first asked Lee Jeong-seop, a member of the royal family, whether he could include Manhoingcheongryu in the collection, and received a positive answer in response. Despite this royal approval, however, Kim included Manhoingcheongryu at the end of Cheongguyeongeon as a separate appendix, and attempted to explain his reasons for its inclusion by adding two specific prefaces to it. All of these factors suggest that Manhoingcheongryu was not naturally accepted as a Gagok work in the circumstances of the times. Manhoingcheongryu started to be recognized as a Gagok work after being included in Cheongguyeongeon, but the process was not a smooth one, which is demonstrated in the fact that it was not included in the early collections of Gagoks that followed the publication of Kim Cheon-taek's Cheongguyeongeon. The collections of Gagoks published in the mid-18th century, however, started to include it. There were some differences to the name of Manhoingcheongryu across the various collections of Gagoks that included it. This indicates that it was first recognized as a part of Gagok works, before being later identified in the same manner as Sakdaeyeop, which was the mainstream Gagok work in those days. Kim Cheon-taek played the most significant role in ensuring the inclusion of Manhoingcheongryu in the domain of Gagoks, since he made a conscious decision to include it in his Cheongguyeongeon at a time when it was not recognized as a Gagok work. Some members of the nobility also played pioneering roles and made a huge contribution to the process of its consolidation as a Gagok work.