李尙迪의 <西笑編> 一考

Abstract

Lee Sang-jeok has been to Yeon-kyung 12 times as an interpreter. Against that backdrop, he continued to engage and engage with the literati of the Qing Dynasty. Such a figure is contained in his literary book. In this paper, I noted his work <Seo So Pyeon>. <Seo So Pyeon> was built in 1859. It was 14 works and targeted 16 literary people of the Qing Dynasty. There is no study focused on the <Seo So Pyeon>. This is because there is no information about the target person, and it is difficult to access their personal literature. In this paper, I gathered relevant works from the literary collections of the Qing Dynasty, which can be ascertained, and tried to rediscover the situation mentioned in the Lee Sang-jeok’s <Seo So Pyeon>. However, some limits have not been overcome. The content of <Seo So Pyeon> is a tribute to the target figure, a consequent yearning for them, and a sense of self-esteem that has been associated with them. In addition, <Seo So Pyeon> details the aspects of cultural exchange at the personal level that had been actively developed with the literati of the Qing Dynasty. <Seo So Pyeon> is a material to identify a group of cultural exchange patterns and social intercourse with literary people of the Qing Dynasty. Compare <Seo So Pyeon> to a series Heoinsi of actively created works in the late Joseon Dynasty. It is the same in terms of content for now. Let's look at the formal aspects. Take the form of a series of works. Each piece was targeted at one person or multiple characters. All the subjects are of the same age. From this perspective, it is also accessible from the perspective of a serial Heoinsi in the late Joseon Dynasty.