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김남천의 발자크 수용과 ‘관찰문학론’의 문학사적 의미

The literature history's meanning of Kim Namcheon's Balzac acceptance and 'observation literature'

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키워드

주제분류기타인문학

초록

Former studies about Kim Namcheon's Balzac acceptance were mainly judged by western realism's criterion. But this standpoint has limitation that ignores active appropriation and abrogation process within Kim Namcheon's Balzac acceptance.Kim Namcheon's Balzac acceptance was taken place within renewal of realism and confrontation with conversion, which was literature history's main task at that time. By accepting Balzac, he moves his criticism's point from writer oneself's introspection to objective reality. In so, he was able to criticize conversion discourse by Balzac's selflessness and objectivity. And by criticizing conversion discourse, he was able to criticize the national policy literature ideology.In the process of accepting Balzac, he misinterpretates medium Engels. By this misinterpretation he shows logic that independent from author's world view, 'observation literature' can lead to realistic achievement. By this, even though author's socialistic prospect was impossible, he achieved minimum logic to understand objective reality. Moreover he secured internal logic to refuse the national policy literature.

Abstract

Former studies about Kim Namcheon's Balzac acceptance were mainly judged by western realism's criterion. But this standpoint has limitation that ignores active appropriation and abrogation process within Kim Namcheon's Balzac acceptance.Kim Namcheon's Balzac acceptance was taken place within renewal of realism and confrontation with conversion, which was literature history's main task at that time. By accepting Balzac, he moves his criticism's point from writer oneself's introspection to objective reality. In so, he was able to criticize conversion discourse by Balzac's selflessness and objectivity. And by criticizing conversion discourse, he was able to criticize the national policy literature ideology.In the process of accepting Balzac, he misinterpretates medium Engels. By this misinterpretation he shows logic that independent from author's world view, 'observation literature' can lead to realistic achievement. By this, even though author's socialistic prospect was impossible, he achieved minimum logic to understand objective reality. Moreover he secured internal logic to refuse the national policy literature.

참고문헌 (19)

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  2. 김재용, "협력과 저항" (2003), 소명출판
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  7. 박영근, "발자크의 연구" (1993), 중앙대학교 출판부
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  9. 서영인, "김남천의 신체제 인식과 우회적 글쓰기 in 탈식민주의를 넘어서" (2006), 소명출판
  10. 서영인, "김남천 문학 연구", 박사, pp.2003
  11. 이성혁, "김남천의 발자크 수용에 대한 고찰", 이문논총, 18 (1998), 한국외대대학원
  12. 임화, "주체의 재건과 문학의 세계 in 문학의 논리" (1989), 서음출판사
  13. 장성규, "카프 문인들의 전향과 대응의 논리-임화와 김남천을 중심으로", 상허학보, 22, pp.343~377 (2008), 상허학회
  14. 정호웅, "김남천전집" (2000), 박이정
  15. Ashcroft, Bill, "포스트 콜로니얼 문학이론" (1996), 민음사
  16. Engels, Friedrich, "하크니스 여사에게 보내는 편지, 북경대학 중문과 문예이론 교연실편, 문학이론학습소조 옮김 in 문학이론 학습자료" (1989), 친구
  17. Gleize, Joelle, "발자크 비평" (2005), 동문선
  18. Lukacs, Gyorgy, "역사소설론" (1987), 거름
  19. Lukacs, Gyorgy, "문제는 리얼리즘이다" (1985), 실천문학사

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