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공감의 시학, 웹툰과 영화의 장르 뛰어넘기 - 『그대를 사랑합니다』웹툰과 영화 비교

Poetics of Compathy

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주제분류기타인문학

초록

This writing looked into the genre outcome realized by Kangpool's Webtoon <I love you> and a movie titled <I love you> and also took a look at the reason for the same works' gaining popularity beyond the genre of a cartoon and movie. The outcome Kangpool achieved in his cartoon is summarized as three points as below:First, Kangpool's pure love cartoon exuberantly conveys the sentiments of the characters in the cartoon through the appropriate use of 'panel' and 'interval' to his readers. Second, he expresses the characters' psychology and sentiments through the transformation of handwriting. In addition, he maximizes the visual effect in the process of sound literation. As a result, he was able to convey a story about an elderly person, which is apt to be heavy mistakenly, softly and comically. Third, Kangpool's pure love cartoon can be classified as a lyrical fiction in which a main character's lyrical experience is portrayed through the variety of objects of internal rapport. The author creates a character's personality and conducts an event by identifying a character with 'the object of internal rapport.' Further, the object of internal rapport is a medium linking a character to another character, and through the object each character shares love and affection. In the movie <I love you>, its director laid emphasis on two points as below:First, the movie put a focus on maximizing the love between the hero Kim, Manseok and Mrs. Song. Because of that, the movie is minimizing the information on the previous spouses of the hero Kim, Manseok and Mrs. Song. Second, the movie is maximizing the conjugal love through Janggunbong and his wife while highlighting the children's indifference and irresponsibility for elderly parents. Comparing to a cartoon, a movie doesn't give an interpretive experience to readers. With the addition of epic character to the already-made character of an actor, the main theme a director tried to deliver was clearly conveyed, but failed to show a minute transition of an event and characters' secret changes in sentiments. Despite the difference between a cartoon and movie, the work <I love you> was warmly received and got attention from the public beyond genre. That's because this story is maximizing compathy in a variety of forms. In short, it's because the compathy between characters internally within the work, and the compathy between the characters in the work and readers[viewers] externally outside the work, and the author's sentiments and reality of aging society from the social point of view are forming the compathy with each other. This work was created by considering aesthetic and ethical basis in its representation form and thematic awareness, so it was able to draw the compathy in diverse forms.

Abstract

This writing looked into the genre outcome realized by Kangpool's Webtoon <I love you> and a movie titled <I love you> and also took a look at the reason for the same works' gaining popularity beyond the genre of a cartoon and movie. The outcome Kangpool achieved in his cartoon is summarized as three points as below:First, Kangpool's pure love cartoon exuberantly conveys the sentiments of the characters in the cartoon through the appropriate use of 'panel' and 'interval' to his readers. Second, he expresses the characters' psychology and sentiments through the transformation of handwriting. In addition, he maximizes the visual effect in the process of sound literation. As a result, he was able to convey a story about an elderly person, which is apt to be heavy mistakenly, softly and comically. Third, Kangpool's pure love cartoon can be classified as a lyrical fiction in which a main character's lyrical experience is portrayed through the variety of objects of internal rapport. The author creates a character's personality and conducts an event by identifying a character with 'the object of internal rapport.' Further, the object of internal rapport is a medium linking a character to another character, and through the object each character shares love and affection. In the movie <I love you>, its director laid emphasis on two points as below:First, the movie put a focus on maximizing the love between the hero Kim, Manseok and Mrs. Song. Because of that, the movie is minimizing the information on the previous spouses of the hero Kim, Manseok and Mrs. Song. Second, the movie is maximizing the conjugal love through Janggunbong and his wife while highlighting the children's indifference and irresponsibility for elderly parents. Comparing to a cartoon, a movie doesn't give an interpretive experience to readers. With the addition of epic character to the already-made character of an actor, the main theme a director tried to deliver was clearly conveyed, but failed to show a minute transition of an event and characters' secret changes in sentiments. Despite the difference between a cartoon and movie, the work <I love you> was warmly received and got attention from the public beyond genre. That's because this story is maximizing compathy in a variety of forms. In short, it's because the compathy between characters internally within the work, and the compathy between the characters in the work and readers[viewers] externally outside the work, and the author's sentiments and reality of aging society from the social point of view are forming the compathy with each other. This work was created by considering aesthetic and ethical basis in its representation form and thematic awareness, so it was able to draw the compathy in diverse forms.

참고문헌 (19)

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  2. 강 풀, "순정만화 상·하" (2004), 문학세계사
  3. 강풀, "바보" (2005), 문학세계사
  4. 강풀, "영화야 놀자" (2007), 문학세계사
  5. 강현구, "강풀 장편만화 스토리텔링의 경쟁력", 인문콘텐츠, (10), pp.235~262 (2007), 인문콘텐츠학회
  6. 고경석, "강풀 만화 원작, 영화 ‘그대를 사랑합니다’ 2월 개봉", 스포츠투데이, ~ (2011)
  7. 권경민, "세계만화미학론" (2009), 심포지움
  8. 길문섭, "만화 기초작법에서 웹툰까지" (2008), 탐임스퀘어
  9. 김용락, "서사만화 개론" (1999), 범우사
  10. 나병철, "소설의 이해" (2004), 문예출판사
  11. 만화벗 그림터, "순정만화 가이드" (1999), 큰방
  12. 백준기, "만화 미학 탐문" (2001), 다섯수레
  13. 이수진, "만화기호학" (2004), 씨엔씨 레볼루션
  14. 윤현진, "‘청순한’ 외모로 순정만화 그리는 만화가 강풀의 작업실 이야기" (2011), 레이디경향
  15. 한상정, "강풀 만화책이 재미없는 이유", 실천문학, 통권 : 93, pp.294~302
  16. 허지웅, "허지웅의 극장뎐-그대를 사랑한다고 말하기 위해서" (2011), 한겨레
  17. L.쟈네티, "영화의 이해" (1993), 현암사
  18. 알랭바디우, "조건들" (2006), 새물결
  19. 장뤽 낭시, "유한하고 무한한 민주주의, 민주주의는 죽었는가", pp.107~126 (2010), 난장

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