김춘수 무의미시 연구 — “서술할 수 없는 것the unnarratable”을 중심으로
A study on the Nonsense Poetry of Kim Chun-su —focused on the ‘the unnarratable’
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This study examines Kim Chun-su’s nonsense poetry focused on the concept and types of ‘the unnarratable’. Also, based on the essence of ‘the unnarratable’ and by examining existing theoretical studies, this study categorizes it into four types-social taboo, individual trauma, literary convention, and linguistic limits, And Being based on these categories, the examples of ‘the unnarratable’ shown in his poetry were examined. The ‘linguistic limits’ type of ‘the unnarratable’ appears extensively in Kim Chun-su’s early works. Also, the theme of ‘the unnarratable’ in his 「CheoYong -DanJang」, a reflection of his pursuit to nonsense poetry, is related to the ‘nonsense phrases’. Bearing in mind the ‘nonsense phrases’ that appear repetitively in 「CheoYong-DanJang」, an examination of the origin of ‘the unnarratable’ reveals that it is a combination of the physical and emotional scars as a result of his personal experience as a prisoner during Japanese colonial period. Here, ‘the unnarratable’ take forms through the ‘consciousness of parenthesis’. He used many parentheses as a word and a mark itself in 「CheoYong-DanJang」. By examining the predicates that create nonsense phrases, we can read his awful nihilism, mentality of ‘the unnarratable’, which affects him every writing moment.
Abstract
This study examines Kim Chun-su’s nonsense poetry focused on the concept and types of ‘the unnarratable’. Also, based on the essence of ‘the unnarratable’ and by examining existing theoretical studies, this study categorizes it into four types-social taboo, individual trauma, literary convention, and linguistic limits, And Being based on these categories, the examples of ‘the unnarratable’ shown in his poetry were examined. The ‘linguistic limits’ type of ‘the unnarratable’ appears extensively in Kim Chun-su’s early works. Also, the theme of ‘the unnarratable’ in his 「CheoYong -DanJang」, a reflection of his pursuit to nonsense poetry, is related to the ‘nonsense phrases’. Bearing in mind the ‘nonsense phrases’ that appear repetitively in 「CheoYong-DanJang」, an examination of the origin of ‘the unnarratable’ reveals that it is a combination of the physical and emotional scars as a result of his personal experience as a prisoner during Japanese colonial period. Here, ‘the unnarratable’ take forms through the ‘consciousness of parenthesis’. He used many parentheses as a word and a mark itself in 「CheoYong-DanJang」. By examining the predicates that create nonsense phrases, we can read his awful nihilism, mentality of ‘the unnarratable’, which affects him every writing moment.
참고문헌 (38)
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