朝鮮王朝“三唐”詩人的宗唐詩風與元明詩學
The style of the Tang poetry of Samdang(三唐) poets in Joseon dynasty and the poetics of the Yuan and Ming poetry
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中國元明兩朝詩學對“三唐”詩人宗唐詩風及其創作風貌的形成有重要影 響，“三唐”詩人接受楊士弘《唐音》、李東陽等重視聲韻的詩學主張。《唐 音》等唐詩選本和唐代詩人別集的刊印也促進了學唐風氣的接受，而且當時 的唐詩選本多選中晚唐詩，也直接影響了三人詩風的中晚唐傾向。與時代相 距不遠的中國明代前後七子相比，“三唐”詩人採取便捷有效的學唐方式，呈 現出不同的創作風貌。
Abstract
Poetics of Yuan and Ming Dynasty(元明詩學) in China had important influence on Samdaing(三唐) Poets admiring Tang Poetry and their poeticstyle. They accepted the poeticproposition of attaching importance to the sound(聲韻) from Yang Shi-hong(楊士弘)’s Poems(唐音)and Li Dong-yang(李東陽).The anthologies of Tang Poetry such as PopularTang Poems, and corpuses of poets in the Tang Dynasty also promoted the acceptance of the Tang Poetry’s style. Because poems of the Middle and Late Tang Dynasty accounted for the majority in the anthologies of Tang Poetry, the style of Samdaing Poets’ works were close to them. Compared with, nearly contemporary, the Former and LatterSeven Masters(前後七子) of Ming Dynasty, they learned and imitated Tang Poetry in a convenient and effective way, so represented distinguishing poetic style.
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