湖南地域 士林들의 華陽九曲 探訪과 華陽九曲詩 - 趙鍾悳과 趙愚植을 중심으로 -

Abstract

Jo, Jongdeok(趙鍾悳1858～1927)and Jo, Usik(趙愚植1869∼1937), two persons’ Jonsa sense(尊師意識) and Jonjudaiui sense(尊周大義意識) in order to firmly practice so they visited Hwayanggugok. And in order to strengthen the sense and to celebrate the visiting they composed Hwayanggugok poems. Jo, Jongdeok(趙鍾德) is a disciple of Uam Song, siyeol(尤庵 宋時烈, 1607～1689)’s 9th descendent, Song, Byeongsun(宋秉珣1839∼1912). Jo, Jongdeok had titled by himself as Sohwadunin(小華遯人) after Gyeong- sulgukchi in 1910 and he lived hidden as he read cannon(經傳) and Jeongjajujaseo(程子朱子書). Jo, Usik(趙愚植) is a disciple of Choi, Ikhyeon(崔益鉉, 1833～1906). Jo, Usik(趙愚植) took part in revolt Japanese movement caused Taein Museongseowon(泰仁 武城書院) in Jeollabukdo in Jan. 25th in 1906 by Choi, Ikhyeon(崔益鉉). Like these, two persons practiced as a action and literature of Jonsa sense(尊師意識) and Jonjudaiui sense(尊周大義意識). These two persons’ Hwayanggugok poems(華陽九曲詩) can be greatly divided into three types of expressing Jonjudaiui sense(尊周大義意識) phases(樣相). At first, it praised certain fact that is made sacred place(聖地) which strengthened Hwayanggugok(華陽九曲) through Jonjudaiui sense(尊周大義意識) by Uam Song, Siyeol. Second, they expressed their inconvenience feelings about frustraiting plan which is revenged(復讐) the dishonor from Cheong(靑) Chinese country. Third, they expressed the sense of yearn(崇慕心) for charity(功德) of Sinjong emperor(神宗皇帝) of Myeong(明) Chinese country. As looking the above search, these persons visited Hwayanggugok and composed Hwayanggugok poem in order to strengthen the intention which practice firmly ‘Jonjudaiui sense’ in late Joseon Japanese colonial era. And they had showed their feelings at Hwayanggugok poem. Like these, they did their duty in their contemporary era as classical scholars so I can put meaning of the contemporary Gugok literary.