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『青猫』에 나타난「日かげ」의 含意에 관한 연구(1) -「日かげ」의 한국어 번역을 중심으로-

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The aim of this paper is to establish the aesthetics Sakutaro verse to understand the implications of the「日かげ」. Hagiwara Sakutaro is a poet which expressed beautifully in poetry and sensitivity characteristics of the Japanese. Evaluation of completion of the colloquial free verse is the word of tribute to Sakutaro obtained by maximizing the likelihood of Japanese. Is not considered Sakutaro that was continue to have the obsession and acuity against the words is said had been confused the meaning of the <shadow> with the <shadow> in the poem. Poetic diction found in the poetry of "Blue Cat" from "barking at the moon" of <かげ> <影> <日かげ> <日影> was intentional rhetoric of the poet. However, the moment that you want to convert to text translation of the original Korean text of "barking at the moon", aesthetics of only Sakutaro poem "Shade" disappear. It is not able to enjoy the aesthetics「日かげ」in translation Korean text. Poetry does not lose the nostalgia and longing for unknown concealing to mind the melancholy of「日かげ」is a symbolism that represents the aesthetics of Sakutaro poetry. Do not been translated into <그림자> and <그늘> as <かげ> and <影> is <日かげ> and <日影>. It has been translated into <해 그림자> and <해 그늘> including the nostalgia and directivity of the day, it must be conveyed to the translated text as it is implied as a poetic language.

Abstract

The aim of this paper is to establish the aesthetics Sakutaro verse to understand the implications of the「日かげ」. Hagiwara Sakutaro is a poet which expressed beautifully in poetry and sensitivity characteristics of the Japanese. Evaluation of completion of the colloquial free verse is the word of tribute to Sakutaro obtained by maximizing the likelihood of Japanese. Is not considered Sakutaro that was continue to have the obsession and acuity against the words is said had been confused the meaning of the <shadow> with the <shadow> in the poem. Poetic diction found in the poetry of "Blue Cat" from "barking at the moon" of <かげ> <影> <日かげ> <日影> was intentional rhetoric of the poet. However, the moment that you want to convert to text translation of the original Korean text of "barking at the moon", aesthetics of only Sakutaro poem "Shade" disappear. It is not able to enjoy the aesthetics「日かげ」in translation Korean text. Poetry does not lose the nostalgia and longing for unknown concealing to mind the melancholy of「日かげ」is a symbolism that represents the aesthetics of Sakutaro poetry. Do not been translated into <그림자> and <그늘> as <かげ> and <影> is <日かげ> and <日影>. It has been translated into <해 그림자> and <해 그늘> including the nostalgia and directivity of the day, it must be conveyed to the translated text as it is implied as a poetic language.

참고문헌 (8)

  1. 서재곤, "우울한 고양이" (2008), 지식을만드는지식
  2. 임용택, "하기와라 사쿠타로 시선" (1998), 민음사
  3. 탁양현, "그늘과 그림자의 사유방식 — 三玄(易, 老, 莊)을 중심으로 —", 동양철학연구, (68), pp.131~158 (2011), 동양철학연구회
  4. 황진, "하기와라 사쿠타로의 그늘(かげ)의 생성-『달을 향해 짖다』를 중심으로-", 일어일문학연구, 75(2), pp.471~488 (2010), 한국일어일문학회
  5. 황진, "하기와라 사쿠타로의『달을 향해 짖다』론 -「슬픈 달밤」「새벽」「낯선 개」를 중심으로-", 일어일문학, (43), pp.243~253 (2009), 대한일어일문학회
  6. 戸塚隆子, "萩原朔太郎論―"憂鬱"と"かげ"の発見", 富士フェニックス論叢, pp.15~25 (1993)
  7. 萩原朔太郎, "月に吠える" (1917), 感情詩社,白日社
  8. 萩原朔太郎, "青猫" (1923), 新潮社

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