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칙찬한시집의 염정(艶情)시 연구

A Study of Yeomjung(艶情) Poetry in the Imperial Collection of Chinese Poems

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초록

In the 'Ryouunshuu', 'Bunkashuureishuu', and 'Keikokushuu', an Imperial Collection of Chinese poems compiled during the reign of the king of Saga in the early Heian period, there is a poem written about the love of Kyubang(閨房) women. It is called Yeomjungsi(艶情詩). Yeomjungsi, with such personal characteristics, are created in a gathering where the king and his retinue write poems together. 'Ryouunshuu', the first collection of poetry, has only one Yeomjungsi, as it mainly contains public-themed poems. In the second collection of poetry, 'Bunkashuureishuu,' there is a separate section called 'Yeomjeong' and 20 related poems are listed. Most of the poems are set in China, and the narrator, usually a Chinese woman, misses her sweetheart who left home. There is no section called 'Yomjeong' in 'Keikokushuu', the third collection of poetry, but there are 8 poems on the theme of the love of a woman in the 'Akbu' and 'Jobyeong'. They show a similar pattern to the Yeomjungsi. In this way, Yeomjungsi, which was created in a group hall centered on the king of Saga, shows a unique development pattern in the history of Chinese literature in East Asia.

Abstract

In the 'Ryouunshuu', 'Bunkashuureishuu', and 'Keikokushuu', an Imperial Collection of Chinese poems compiled during the reign of the king of Saga in the early Heian period, there is a poem written about the love of Kyubang(閨房) women. It is called Yeomjungsi(艶情詩). Yeomjungsi, with such personal characteristics, are created in a gathering where the king and his retinue write poems together. 'Ryouunshuu', the first collection of poetry, has only one Yeomjungsi, as it mainly contains public-themed poems. In the second collection of poetry, 'Bunkashuureishuu,' there is a separate section called 'Yeomjeong' and 20 related poems are listed. Most of the poems are set in China, and the narrator, usually a Chinese woman, misses her sweetheart who left home. There is no section called 'Yomjeong' in 'Keikokushuu', the third collection of poetry, but there are 8 poems on the theme of the love of a woman in the 'Akbu' and 'Jobyeong'. They show a similar pattern to the Yeomjungsi. In this way, Yeomjungsi, which was created in a group hall centered on the king of Saga, shows a unique development pattern in the history of Chinese literature in East Asia.

참고문헌 (10)

  1. 권혁석, "고대 중국의 여성 독자를 위한 사랑노래 《옥대신영》(전3권)", pp.118~119 (2006), 소명출판
  2. 권혁석, "고대 중국의 여성 독자를 위한 사랑노래 《옥대신영》(전3권)", pp.230~ (2006), 소명출판
  3. 권혁석, "고대 중국의 여성 독자를 위한 사랑노래 《옥대신영》(전3권)", pp.183~186 (2006), 소명출판
  4. 하정승, "艶情詩의 면모와 미적 특질 -고려시대의 시를 중심으로-", 동방한문학, (37), pp.81~116 (2008), 동방한문학회[DOI]
  5. 小島憲之, "日本古典文學大系69", pp.248~249 (1964), 岩波書店
  6. 小島憲之, "上代日本文學と中国文学 下", pp.1486~1510 (1965), 塙書房
  7. 小島憲之, "古今集以前", pp.126~ (1976), 塙書房
  8. 小島憲之, "國風暗黑時代の文學中(中)", pp.1324~1835 (1979), 塙書房
  9. 小島憲之, "國風暗黑時代の文學下1,2,3", pp.2984~3761 (1995), 塙書房
  10. 後藤昭雄, "平安朝漢文学論考", pp.19~29 (1981), 勉誠出版

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