空海文学に見る無常観 -『三教指帰』と『性霊集』を中心に-
The Idea of Inconstancy in the Literature by Kuukai -Focus in His Works Shoryoshu and Sangō Shiiki-
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Shoryoshu and Sangō Shiiki are the main literary works by Kuukai. Though the general research about the idea of inconstancy from Kuukai's literature has already existed, there still lacks the detailed research of it which is based on the specific literary works. Therefore, this paper conducts the research of the two works-- Shoryoshu and Sangō Shiiki for their idea of inconstancy and its features. As a result of the research, the following conclusions are drawn:(1) Kuukai's idea of inconstancy converts him from Confucianism to Buddhism；(2) Kuukai's idea of inconstancy underlies his literary composition;(3) Kuukai's idea of inconstancy reflects his literary consciousness as a religionist, literary composition aimed to save the sentient beings. Therefore, through the illustration of this paper, the idea of inconstancy in the Kuukai's literary works can be known clearly.
Abstract
Shoryoshu and Sangō Shiiki are the main literary works by Kuukai. Though the general research about the idea of inconstancy from Kuukai's literature has already existed, there still lacks the detailed research of it which is based on the specific literary works. Therefore, this paper conducts the research of the two works-- Shoryoshu and Sangō Shiiki for their idea of inconstancy and its features. As a result of the research, the following conclusions are drawn:(1) Kuukai's idea of inconstancy converts him from Confucianism to Buddhism；(2) Kuukai's idea of inconstancy underlies his literary composition;(3) Kuukai's idea of inconstancy reflects his literary consciousness as a religionist, literary composition aimed to save the sentient beings. Therefore, through the illustration of this paper, the idea of inconstancy in the Kuukai's literary works can be known clearly.
참고문헌 (17)
- "弘法大師全集 第三輯", pp.324~562 (1967), 高野山大学密教文化研究所
- 上坂喜一郎, "若き空海の批判思想-≪三教指帰≫の成立-", 密教文化, (91), pp.52~ (1970), 密教文化研究会
- "文選 巻二一", pp.306~308 (1977), 中華書局
- 加地伸行, "弘法大師研究", pp.73~ (1978), 弘法大師研究
- 山本智教, "弘法大師空海全集 第六巻", pp.3~728 (1984), 築摩書房
- 波戸岡旭, "空海-その文学性と同時代への影響-", 国文学解釈と鑑賞, 55(10), pp.63~64 (1990), 至文堂
- 上山春平, "空海", pp.43~44 (1992), 朝日新聞社
- 小林真由美, "河原寺倭琴面無常歌二首", 成城文芸, (138), pp.85~86 (1992)
- 福永光司, "三教指帰ほか", pp.21~282 (2003), 中央公論新社
- 井実充史, "空海詩賦の方法-<道><俗>対立と<俗>への対抗-", 言文, (53), pp.23~24 (2005), 福岡大学教育学部国語学国文学会
- 橘英範, "張籍詩訳注(13)-「呉宮怨」「北邙行」-", 宇部工業高等専門学校研究報告, (52), pp.27~ (2005), 宇部工業高等専門学校
- 興膳宏, "日本漢詩人選集別巻 古代漢詩選", pp.168~169 (2005), 研文出版
- 興膳宏, "空海と平安朝初期の漢詩", 和漢比較文学, (36), pp.11~13 (2006), 和漢比較文学会
- 中谷征充, "良岑安世に贈った詩五首", 密教文化, (216), pp.45~71 (2006), 密教文化研究会
- 長尾秀則, "空海筆"聾瞽指帰"考-弓状に湾曲した巻子の秘密を探る-", 京都語文, 18, pp.69~ (2011)
- 仇云波, "『三教指帰』の蛭牙公子像", 일어일문학연구, 83(2), pp.107~134 (2012), 한국일어일문학회
- 仇云波, "「遊山慕仙詩」の構想と表現-『三教指帰』との関係を中心に-", 일어일문학연구, 87(2), pp.39~64 (2013), 한국일어일문학회