본문 바로가기
KERD
논문KCI 등재

藤原定家의 達磨歌에 관한 고찰

A Study on Daruma-Uta of Fujiwara no Teika

0

조회

0

다운로드

1

인용

0

참고문헌

키워드

주제분류일본어와문학

초록

The purpose of this paper is to define Darumauta(Dharma Poetry;達磨歌). Darumauta means that the conservative poetical circles compared the progressive poetry style of Mikohidari Family(御子左家) to a newly-risen religion, Dhrma Order of Buddhism which was harshly criticized. It means a nonsense poem a pejorative term for Zen. It seems that this term was coined in connection with the Zen kōan's 'critical phrases' that seemed like unintelligible riddles to ordinary people and other Buddhist schools. This term was used by conservative waka poets to refer to the innovative style of Fujiwara no Teika. Nevertheless, at that time the conservative poetical circles didn't understand about Yozyo(余情) and Yoen(妖艶) which compiled in part of aesthetic sense by Teika. So they disparaged Teika's new thoughts as Darumauta. However Darumauta broke away from the traditional style that kept old way of thinking. Teika's Darumauta is a device of zeitgeist and made stereotyped phrases express discourse of language. Therefore, the essence of Darumauta is a conversion of poetic language and idea which aims for Ushin(有心). it works a new poetic turn of mind in the whole progress of the second Yozyou(余情) and Yoen(妖艶).

Abstract

The purpose of this paper is to define Darumauta(Dharma Poetry;達磨歌). Darumauta means that the conservative poetical circles compared the progressive poetry style of Mikohidari Family(御子左家) to a newly-risen religion, Dhrma Order of Buddhism which was harshly criticized. It means a nonsense poem a pejorative term for Zen. It seems that this term was coined in connection with the Zen kōan's 'critical phrases' that seemed like unintelligible riddles to ordinary people and other Buddhist schools. This term was used by conservative waka poets to refer to the innovative style of Fujiwara no Teika. Nevertheless, at that time the conservative poetical circles didn't understand about Yozyo(余情) and Yoen(妖艶) which compiled in part of aesthetic sense by Teika. So they disparaged Teika's new thoughts as Darumauta. However Darumauta broke away from the traditional style that kept old way of thinking. Teika's Darumauta is a device of zeitgeist and made stereotyped phrases express discourse of language. Therefore, the essence of Darumauta is a conversion of poetic language and idea which aims for Ushin(有心). it works a new poetic turn of mind in the whole progress of the second Yozyou(余情) and Yoen(妖艶).

참고문헌 (7)

  1. 久保田淳, "中世の文学", pp.53~54 (1985), 有斐閣
  2. 久松潜一, "日本文学評論史·詩歌論篇", pp.38~ (1976), 至文堂
  3. 辻森秀英, "新儀非拠達磨歌の意義について", pp.25~ (1967), 早稲田大学国文学会
  4. 岩津資雄, "花実論ー歌論史研究序説ー", 107~ (1968)
  5. 種田美由紀, "藤原定家の歌風-2-達磨歌期に於て", 24~ (1980)
  6. 冷泉為臣, "藤原定家全歌集", pp.376~ (1974), 国書刊行会
  7. 高橋和彦, "無名抄全解", pp.65~ (1987), 双文社出版

관련 논문AI추천

이 간행물의 다른 논문 (9건)