일상세계에서 무용의 미학적 실천 기능

Abstract

The purpose of this study is to restore the continuity of life and arts by striving for the practical perception on aesthetics through aggressive and positive attitude and recovering the intrinsic nature of human based on the movement for alienated perception. Through the conscionable act with the consideration that the ‘body’ is the subject of active practice as well as foundation of self-existence, not a mean for an act or substance that contains rationale it strives for the artistic life and aesthetic life in a way of presenting the restoration on the intrinsic nature of human being. Here, the conscionable act means the concept of somatization for knowledge innate to a body through the somatization experiment. Through the practical aesthetic consciousness, the internal life is gained for insight and dream of it. In addition, by looking at the life with the unyielding view of an artist, it enables to grow for self-inner aspect like creativity or imagination. An artistic view implies the capability to change a life in a new level beyond the situation, not with a passive attitude to accept the situations of given life just the way it is, through the unyielding insightful attitude, not the capability to accept from deity or born with the certain artistic nature. In other words, the aesthetic life is to find the genuine value and meaning of respective life that is held on daily basis, not striving for unrealistic ideals through the transcendental view of world. The dance can be classified as a bodily arts that realized by practicing the unyielding the aesthetic consciousness and it may instinctively and naturally bring in the ‘Koi (Pleasance)’ of human that is attributed as an element to remove from the modern aesthetics. This is attributable to the fact that the dance is the most profound instinct and prolonged desire of human. Expressing the livelihood with the body and knowing the reason for existence toward the world by feeling the delight and catharsis are the elements innate to the dance. All such process begins from individual effort to appreciate the value of other’s existence that is found around as a constituent of the community, and it is expanded through the attitude to be considerate for others to advance the practicality into the fact of my life to be the aesthetic life and the artistic life within the world. Namely, the practical aesthetic consciousness is the manifestation of meaningful aesthetic movement with the orientation and practicality contained within.