동해안 별신굿 푸너리춤

Abstract

The purpose of this report is to examine the precedent studies on the east-coast Byulshin-Gut and the dances and rhythms performed by the east-coast Byulshin-Gut to understand the dances and rhythms used for each geori of the east-coast Byulshin-Gut,and to realize and restore the meaning and value of the various dances through the study on the Puneori-Chum, the representative dance of the east-coast Byulshin-Gut. Puneori-Chum is the dance performed wearing queja with normal attire (skirt, jeogori)and using fan and cloth as the mugu (shamanic tools), performed first when the gut begins, and is the most representative dance of the east-coast Byulshin-Gut performed at almost every geori. This dance is composed of 3-fold structure of cheongshin, oh-shin,and songshin, and each step serves to connect and close the 3-fold structure of each geori. As for dance moves, there are galmae-mugwan, gyeodeurang-mugwan, dolmori-mugwan (dolmeori-mugwan), yang-sawichigi-mugwan (yang-sawuchigi-mugwan), doriggae-mugwan,buchae-sawi, unjeun-sawi, anyou-jjagi, ggachi-ditgi, lifting one foot, jumping off one foot (ggaggeum-jil), and jumping on both feet (ddeuim-ddeuigi), and the movement is composed of the upper motion beginning from head and shoulder and made up with the movement of the arms and the hand holding the mugu, and the lower motion made with the knee, ankle, step, and foot movement. The upper/lower motions form the most common movements in the form of gut dance,which is cross-shaped flow, vertical leap, and the flow alternating between rotation,advance, and retreat, and moreover, form a dance performed at the geori, and the Puneori-Chum of each geori. From this perspective, the Puneori-Chum is the most standardized Korean dance and at the same time, possess the musical and improvisational qualities to serve as the elementary resource for studying Korean shamanic dance. Therefore, this study on Puneori-Chum is believed to initiate resource development regarding Puneori-Chum,progress the resource development of various mumu (shamanic dances) in the east-coast Byulshin-Gut and the restoration of each dance, and more over, establishment of dance moves of Korean shamanic dances and development of dance moves among the creative process of Korean dance for which this study can be provided as a theoretical and practical resource.