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무용음악의 고유성과 역할

Uniqueness and role of dance music

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초록

Dance creation is a work that requires both accomplishments in humanities and artistic creativity. As an esthetic and psychological element it exerts the biggest impact on dance, music can be a guide for the audience for dance appreciation. Therefore dance music has its own property that is different from other music. The purpose of this study is to elucidate the uniqueness and the role of dance music. To this end, the study classified the role of dance music as follows: space - time creation, description of the psychology and character, framework of the choreography, provision of the energy, improvement of the feel and emotional foundations. The value of this research is to help understanding and analytic approach to the music.

Abstract

Dance creation is a work that requires both accomplishments in humanities and artistic creativity. As an esthetic and psychological element it exerts the biggest impact on dance, music can be a guide for the audience for dance appreciation. Therefore dance music has its own property that is different from other music. The purpose of this study is to elucidate the uniqueness and the role of dance music. To this end, the study classified the role of dance music as follows: space - time creation, description of the psychology and character, framework of the choreography, provision of the energy, improvement of the feel and emotional foundations. The value of this research is to help understanding and analytic approach to the music.

참고문헌 (12)

  1. 손수현, "해석의 대상으로서 무용텍스트의언어적 요소에 관한 연구", 대한무용학회 논문집, 59(59), pp.123~146 (2009), 대한무용학회
  2. 양수진, "Stravinsky의 발레음악에 관한 연구", 석사, 음악학, pp.1997
  3. 이수일, "영화음악의 기능 이론들에 대한 비교 연구 -작곡가 아론 코플란트, 음악학자 클라우디아 고르브만과 래리 팀의 이론적 주장을 중심으로-", 음악교육공학, (22), pp.1~22 (2015), 한국음악교육공학회
  4. 이윤정, "영화에서의 사운드 역할과 분석 - “인셉션”을 중심으로 -", 디지털디자인학연구, 12(4), pp.221~230 (2012), 한국디지털디자인학회
  5. 이종희, "음악적 표현성과 말할 수 없음 ineffability 논제에 관하여", 美學(미학), (77), pp.65~104 (2014), 한국미학회
  6. 이지원, "The Prospects of Dance film seen through Mats Ek's「Smoke」(1995)", 무용예술학연구, 42(3), pp.99~115 (2013), 한국무용예술학회
  7. 장지원, "무용언어에서의 표현력 상징성에 관한 해석과 의미", 한국예술연구, (5), pp.105~128 (2012), 한국예술종합학교 한국예술연구소
  8. 조화림, "영화에서 음악의 역할", 프랑스문화예술연구, 18, pp.217~240 (2006), 프랑스문화예술학회
  9. "Aaron Copland"[URL]
  10. "Koto"[URL]
  11. "Leitmotif"[URL]
  12. "Midi"[URL]

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