무용음악의 새로운 정의와 분류
New definition and classification of dance music
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
The purpose of this study is to present a fundamental standard for dance music research by suggesting a new definition of dance music and classifying it. Through this research, it has been proven that dance music includes all sounds from traditional to modern digital sound to express dance. Therefore, this study newly defines dance music as ‘total sounds used in dance’ and classifies it into four categories: ‘Music’, ‘Voice’, ‘Soundscape’, and ‘Effect sound’ based on the unique characteristics of dance. Each of the four categories has subcategories. ‘Music’: The temporal, spatial, vigorous, and visual image music. These are considering the movement characteristics and the function of dance music. ‘Voice’: song, narration, mouth noise, and shout. These can be conveyed through the voices of the dancers as well as the singers. ‘Soundscape’: space sound for describing space, and ambient sound for the environment. ‘Effect sound’: on-site sound, sound effect, and visual sound.
Abstract
The purpose of this study is to present a fundamental standard for dance music research by suggesting a new definition of dance music and classifying it. Through this research, it has been proven that dance music includes all sounds from traditional to modern digital sound to express dance. Therefore, this study newly defines dance music as ‘total sounds used in dance’ and classifies it into four categories: ‘Music’, ‘Voice’, ‘Soundscape’, and ‘Effect sound’ based on the unique characteristics of dance. Each of the four categories has subcategories. ‘Music’: The temporal, spatial, vigorous, and visual image music. These are considering the movement characteristics and the function of dance music. ‘Voice’: song, narration, mouth noise, and shout. These can be conveyed through the voices of the dancers as well as the singers. ‘Soundscape’: space sound for describing space, and ambient sound for the environment. ‘Effect sound’: on-site sound, sound effect, and visual sound.
참고문헌 (13)
- 김은수, "무용음악의 이해" (1996), 삼신각
- 김은수, "효율적인 현대무용수업을 위한 피아노 즉흥반주법 연구", 한국무용교육학회지, 27(4), pp.119~137 (2016), 한국무용교육학회
- 김은수, "무용음악: 노이즈 사운드의 미적 가치 및 기능", 한국무용교육학회지, 31(2), pp.175~194 (2020), 한국무용교육학회[DOI]
- 김은수, "사일런스 사운드의 무용음악적 해석", 한국무용교육학회지, 31(3), pp.111~126 (2020), 한국무용교육학회[DOI]
- 김은수, "무용음악의 가치 및 가능성 연구", 한국무용교육학회지, 31(4), pp.101~115 (2020), 한국무용교육학회[DOI]
- 김은수, "사운드의 정서적 효과 및 활용 방안", 한국무용교육학회지, 32(3), pp.61~74 (2021), 한국무용교육학회
- 김태우, "효과음의 유형에 따른 청각적 경험이 브랜드 인지에 미치는 영향 연구", 커뮤니케이션디자인학연구, 66, pp.49~60 (2019), (사)한국커뮤니케이션디자인협회 커뮤니케이션디자인학회[DOI]
- 김화숙, "무용의 이해" (1999), 한학문화
- 이동현, "다중 회귀 기반의 음악 감성 분류 기법", 정보처리학회 논문지, 7(6), pp.239~248 (2018), 한국정보처리학회[DOI]
- 임윤수, "시각미술에 미친 음악적 요소에 관한 연구", 조형미디어학, 22(2), pp.48~56 (2019), 한국일러스아트학회[DOI]
- 전희현, "영화의 음악의 내러티브적 기능 고찰- <Jaws, 1975>를 중심으로", 문화와융합, 41(2), pp.371~394 (2019), 한국문화융합학회
- 하소현, "영화 ‘라라랜드(LaLa-Land)’를 통해 본 영화음악의 기능별 특징", 예술문화융합연구, 8(0), pp.41~55 (2018), 중앙대학교예술문화연구원
- 한혜리, "현대예술로서 무용의 범주와 구성요소에 관한 연구", 한국무용교육학회지, 12(2), pp.107~121 (2001)