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무용의 예술적 소통 체계와 문화 현상과의 관계

The relationship between the artistic communication system of dance and cultural phenomena

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The study on the relationship between the communication system of dance and cultural phenomena concerns the cultural factors that are involved in the interpretation of symbolic images of dance. The relationship between the method of dance interpretation (or reading) within the context of artistic communication and the symbolism and culture in the area of visual culture reading was discussed by exploring the factors that serve as cultural variables in the symbolic images of dance to derive the following conclusion: The communication of contemporary dance does not pursue to create new forms or contents of dance or find a target of communication to choose or develop the right communication media through an expansion. Rather, it believes that accessibility of dance as a form of art is the expansion of communication, and it is displayed as a cultural phenomenon that is analyzed, interpreted, recorded, or remembered. Dance is examined through cultural phenomena not with knowledge or decoding, but with individual psychology. In the end, the meaning and value of dance are internally created when individuals' different psychology form a community (or group). This is perceived as a cultural phenomenon that shows the relativity of factors on which the activities of ideology works essentially on the system of symbols. Contemporary dance is involved in the groups (or communities) of mankind and the different identities of their members. Therefore, the iconological interpretation of dance is examining the scope and contents of dance through cultural phenomenon as the cultural variables that occur in dance as a form of sensual images for perception due to regional and emotional differences, beyond the expression and style of dance. In this respect, the iconological interpretation is not about reproducing what is seen, but seeing what was not seen or felt before and giving meaning to it to ask traditional and historical questions about the image of dance and the determination to analyze and diagnose its correlation with the present to accept the endless chain of meaning generated in the interpretation of dance for culture.

Abstract

The study on the relationship between the communication system of dance and cultural phenomena concerns the cultural factors that are involved in the interpretation of symbolic images of dance. The relationship between the method of dance interpretation (or reading) within the context of artistic communication and the symbolism and culture in the area of visual culture reading was discussed by exploring the factors that serve as cultural variables in the symbolic images of dance to derive the following conclusion: The communication of contemporary dance does not pursue to create new forms or contents of dance or find a target of communication to choose or develop the right communication media through an expansion. Rather, it believes that accessibility of dance as a form of art is the expansion of communication, and it is displayed as a cultural phenomenon that is analyzed, interpreted, recorded, or remembered. Dance is examined through cultural phenomena not with knowledge or decoding, but with individual psychology. In the end, the meaning and value of dance are internally created when individuals' different psychology form a community (or group). This is perceived as a cultural phenomenon that shows the relativity of factors on which the activities of ideology works essentially on the system of symbols. Contemporary dance is involved in the groups (or communities) of mankind and the different identities of their members. Therefore, the iconological interpretation of dance is examining the scope and contents of dance through cultural phenomenon as the cultural variables that occur in dance as a form of sensual images for perception due to regional and emotional differences, beyond the expression and style of dance. In this respect, the iconological interpretation is not about reproducing what is seen, but seeing what was not seen or felt before and giving meaning to it to ask traditional and historical questions about the image of dance and the determination to analyze and diagnose its correlation with the present to accept the endless chain of meaning generated in the interpretation of dance for culture.

참고문헌 (12)

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  4. Cassirer, E., "상징형식의 철학 : 신화적 사유" (2014), 아카넷
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  7. Harvey, D., "The Condition of Postmodernity" (1989), Basil Blackwell
  8. Langer, Susanne, K., "The problem of arts" (1957), Scribner's
  9. Mitchell, W. J. T., "아이코놀로지: 이미지, 텍스트, 이데올로기" (2005), 시지락
  10. Rimmele, M., "보는 눈의 여덟 가지 얼굴" (2015), 글항아리
  11. Massey, D., "공간, 장소, 젠더" (2015), 서울대학교출판문화원
  12. Montaigne, de M., "몽테뉴 수상록" (2015), 동서문화사

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