본문 바로가기
KERD
논문KCI 등재

노장사상의 관점으로 본 민살풀이춤의 미학적 고찰- 허정지심虛靜之心을 中心으로 -

An aesthetic study of the point of view of Minsalpuli dance of Lao-tzu and Zhuangzi Philosophy -focused on the calm and quiet heart-

0

조회

0

다운로드

4

인용

0

참고문헌

키워드

주제분류무용

초록

This research looks into the aesthetic characteristics in Gobneo-Jo's category Minsalpuli dance focusing on the asthetics of 'quiet‘ in calm and quiet heart which is one of the Laotzu's philosophy. Gobneo-Jo's category Minsalpuli dance is a dance which one feels like dancing when he stands still. and dance relaxing to form a circle to connect to the nature. The highlight of Minsalpui dance is keeping calm and holding breathe to ensure that characteristic of resettability, empty and absentmindedness could back to human's basic - breathe of universe. The following analysis is the aesthetic characteristics found in the dance in accordance to LaoTzu’s philosophy angle. Firstly, Minsalpuli dance shows the beauty of simplicity. LaoTzu’s aesthetics excludes worldly aesthetics and aimes at less materialistics. ; just like the meaning of 'simplicity' of doing nothing, being natural and simple. It defines Minsalpuli dance’s vitality as beauty of simplicity. Therefore as in-born characteristics is the best explanation of The truth of inaction nature "doing noticing is natural principle" in LaoTzu’s philosophy. We could find the principle of arts' spirit though the simplicity of Minsalpuli dance expressed by the dancer. Secondly, Minsalpuli dance shows the beauty of the chastity. The beauty of the dance is the spirit of the dancer and the dance movement which cannot be seen fully. It doesn't mean that the folk dance will stop, but the movement of standing still shows the beauty of chastity. Thirdly, Minsalpuli dance shows beauty of flat flavor, naturaliness. The dance expressed one's life journey and happiness, anger, sadness by the spirit of naturalness implies in calm movement, It is a folk dance which pursues the performances of being plain, simple and calm and present to the beauty of the tradition.

Abstract

This research looks into the aesthetic characteristics in Gobneo-Jo's category Minsalpuli dance focusing on the asthetics of 'quiet‘ in calm and quiet heart which is one of the Laotzu's philosophy. Gobneo-Jo's category Minsalpuli dance is a dance which one feels like dancing when he stands still. and dance relaxing to form a circle to connect to the nature. The highlight of Minsalpui dance is keeping calm and holding breathe to ensure that characteristic of resettability, empty and absentmindedness could back to human's basic - breathe of universe. The following analysis is the aesthetic characteristics found in the dance in accordance to LaoTzu’s philosophy angle. Firstly, Minsalpuli dance shows the beauty of simplicity. LaoTzu’s aesthetics excludes worldly aesthetics and aimes at less materialistics. ; just like the meaning of 'simplicity' of doing nothing, being natural and simple. It defines Minsalpuli dance’s vitality as beauty of simplicity. Therefore as in-born characteristics is the best explanation of The truth of inaction nature "doing noticing is natural principle" in LaoTzu’s philosophy. We could find the principle of arts' spirit though the simplicity of Minsalpuli dance expressed by the dancer. Secondly, Minsalpuli dance shows the beauty of the chastity. The beauty of the dance is the spirit of the dancer and the dance movement which cannot be seen fully. It doesn't mean that the folk dance will stop, but the movement of standing still shows the beauty of chastity. Thirdly, Minsalpuli dance shows beauty of flat flavor, naturaliness. The dance expressed one's life journey and happiness, anger, sadness by the spirit of naturalness implies in calm movement, It is a folk dance which pursues the performances of being plain, simple and calm and present to the beauty of the tradition.

참고문헌 (16)

  1. 김교빈, "기학의 모험" (2004), 들녘
  2. 김광년, "韓國漢文學에서의 ‘虛靜’ 논의와 그 美的 特質", 인문학연구, (27), pp.5~31 (2015), 인문학연구원
  3. 권광호, "道家 ‘허정(虛靜)’사상의 수련전통과 그 발전적 전개", 동서철학연구, (45), pp.5~21 (2007), 한국동서철학회
  4. 곽원미, "蓮을 통한 靜中動의 이미지 표현연구", 석사, pp.2010
  5. 김연화, "나선형이 지닌 조형의 구조적 법칙성과 형상특성", 한국디자인포럼, (30), pp.83~92 (2011), 한국디자인트렌드학회
  6. 송도선, "노자의 『도덕경』에 담긴 ‘무(無)’의 교육적 함의", 교육사상연구, 27(2), pp.95~122 (2013), 한국교육사상학회
  7. 윤금자, "노자의 ‘자연성 회복(復歸於樸)’을 위한 ‘마음치유’", 철학연구, 133, pp.181~203 (2015), 대한철학회
  8. 송미숙, "장금도와 조갑녀의 호남 민살풀이춤 비교연구", 한국무용연구, 31(1), pp.163~193 (2013), 한국무용연구학회
  9. 조민환, "老子의 靜의 美學에 관한 연구", 동아시아 문화포럼, 동아시아 문화와 사상, 3, pp.24~41 (1999)
  10. 정경희, "명인 조갑녀의 민 살풀이춤에 관한 연구", 박사, 체육학, pp.2009
  11. 이미영, "맹자의 성(性)으로 본 민살풀이춤", 한국무용연구, 31(3), pp.271~297 (2013), 한국무용연구학회
  12. 이미영, "역학의 관점으로 본 민살풀이춤 연구", 한국무용연구, 33(3), pp.251~281 (2015), 한국무용연구학회[DOI]
  13. 이용희, "진도북춤 춤사위 구조의 심미성 연구", 박사, pp.2015
  14. 이용희, "김수악류 진주교방 굿거리춤의 미학적 고찰 - 융석融釋과 즉흥성卽興性을 中心으로 -", 한국무용교육학회지, 27(3), pp.113~127 (2016), 한국무용교육학회
  15. 이용희, "장자의 ‘수양론修養論’으로 본 승무의 심미성 연구", 한국무용교육학회지, 28(2), pp.137~154 (2017), 한국무용교육학회
  16. 이현주, "조갑녀 민살풀이춤의 시대사적 정의 : 살풀이춤 형성과정에서 '조갑녀 민살풀이춤'의 시대사적 의미와 해석", 석사, 무용교육전공, pp.2012

관련 논문AI추천

이 간행물의 다른 논문 (9건)