한국 전통춤의 동양미학적 고찰
A study on the oriental aesthetics of Korean traditional dancing
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초록
This study discussed the aesthetic features of Korean dance appearing in the view of Oriental arts philosophy, the relationship between the artistic spirit of Muja in metaphysical reasons and the large-scale interaction of yin and yang expressed in dancing. Through this expression of dance within Korean dance, the nature of positive & negative, hardness & softness was shown as expression of natural beauty and vitality as all laws of nature exist in cycles. Also, the essence of Korean dance is the arts based on the vitality of nature, which is essentially seeking to express energy in positive & negative, hardness & softness. Therefore, the vitality expressed the beauty of the emotions by showing up Temperance aesthetics and Energy aesthetics through Muja’s artistic spirit of the inner part of the Korean dance and by showing up through the dance movement. Thus, the following is a study of the results of splitting the dance performance based on the characteristics of yin and yang according to the Korean dance performance which divided into Temperance aesthetics of the energy of everyday life and Energy aesthetics of the suppression of energy. First, we looked at the sufferance of the energy of everyday life, a leisurely but morals of minstrels, as opposed to movement and silence. Among the inherent aesthetic features of Korean dance, the restrained beauty of the energy of everyday life is gentle, delicate, and strong breathing between movements. It presents a dance performance that is opposite to Jajinmori and Dongsalpuri rhythm in which strong dynamics are expressed, and it stops flowing like a graceful beauty and a beautiful dance in Gutgeori rhythm. Second, we looked at the energy Aesthetics of the suppression of energy, properties of hardness & softness, which is in harmony through various changes of activity and inactivity that keep moving, jump high and run strong. The beauty of Korean dance awaits a different dimension of change, just as restrained and condensed energy is swirling. The Korean dance shows the beauty of popular arts through dynamic power, as if it is a performance of the spirit with various changes in the fast-driving Jajinmori rhythm.
Abstract
This study discussed the aesthetic features of Korean dance appearing in the view of Oriental arts philosophy, the relationship between the artistic spirit of Muja in metaphysical reasons and the large-scale interaction of yin and yang expressed in dancing. Through this expression of dance within Korean dance, the nature of positive & negative, hardness & softness was shown as expression of natural beauty and vitality as all laws of nature exist in cycles. Also, the essence of Korean dance is the arts based on the vitality of nature, which is essentially seeking to express energy in positive & negative, hardness & softness. Therefore, the vitality expressed the beauty of the emotions by showing up Temperance aesthetics and Energy aesthetics through Muja’s artistic spirit of the inner part of the Korean dance and by showing up through the dance movement. Thus, the following is a study of the results of splitting the dance performance based on the characteristics of yin and yang according to the Korean dance performance which divided into Temperance aesthetics of the energy of everyday life and Energy aesthetics of the suppression of energy. First, we looked at the sufferance of the energy of everyday life, a leisurely but morals of minstrels, as opposed to movement and silence. Among the inherent aesthetic features of Korean dance, the restrained beauty of the energy of everyday life is gentle, delicate, and strong breathing between movements. It presents a dance performance that is opposite to Jajinmori and Dongsalpuri rhythm in which strong dynamics are expressed, and it stops flowing like a graceful beauty and a beautiful dance in Gutgeori rhythm. Second, we looked at the energy Aesthetics of the suppression of energy, properties of hardness & softness, which is in harmony through various changes of activity and inactivity that keep moving, jump high and run strong. The beauty of Korean dance awaits a different dimension of change, just as restrained and condensed energy is swirling. The Korean dance shows the beauty of popular arts through dynamic power, as if it is a performance of the spirit with various changes in the fast-driving Jajinmori rhythm.
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