한국춤의 시공간 구조에 따른 춤사위의 동양미학적 원리 고찰

Abstract

The purpose of this study is to investigate how the space structure, time structure, and movement structure in Korean dance are constructed through the yin-yang five-element principle of Oriental aesthetics. The research method was to analyze aesthetic principles based on literature research, focusing on the fact that oriental ideas and philosophy are inherent in Korean traditional dance movements. In addition, the objects of study are the dances of entertainers performed from a folk perspective, excluding jeongjae and ceremonial dances. The most basic stage of the dance movement principle in spatial structure appears and can be observed through the heaven, earth, sun, and moon. Human beings form the Samjae by interacting with heaven and earth, and they form the Samjae by interacting with the sun and moon. The principle of dance movements in the time structure is the Taegeuk structure based on the yin-yang principle, but what I want to emphasize here is that there must be a temporal flow for the breathing to change from yang to yin. The aesthetic structure of dance movements appears as the movement of the head, torso, and each limb part acts through the structure of yin and yang. The flow of dance movements is the principle of Taegeuk, which consists of repetitive movements that cycle through creation and extinction, and these dance movements repeat in a structure of unification and differentiation.