연극적 즐거움과 신학 비틀기
Theological Twists for Theatrical Pleasure
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The sacramental act is an orthodox religious play used as part of public education in Catholic theology during the Spanish CounterReformation era. Its main purpose was to make it easy for the general audience to understand and accept Catholic dogmas by reproducing difficult and boring doctrines in a fun way on the stage. However, it was not an easy task for a playwright to arouse the audience’s interest by using complex theological and doctrinal materials. Tirso de Molina inherits Horace’s poetic tradition of “presenting lessons through pleasure,” but he embodies his own theatrical aesthetic that focuses on pleasure rather than teaching in his sacramental act The Brothers Who Look Alike. The artist dramatically twists the contents of the instructive elements, that is, the Bible and the doctrines, making the audience interested and immersed in the performance. The theological distortions were not a big deal to him as long as he could entertain his audience. For Tirso, the audience’s indifference to his work was the worst things to avoid.
Abstract
The sacramental act is an orthodox religious play used as part of public education in Catholic theology during the Spanish CounterReformation era. Its main purpose was to make it easy for the general audience to understand and accept Catholic dogmas by reproducing difficult and boring doctrines in a fun way on the stage. However, it was not an easy task for a playwright to arouse the audience’s interest by using complex theological and doctrinal materials. Tirso de Molina inherits Horace’s poetic tradition of “presenting lessons through pleasure,” but he embodies his own theatrical aesthetic that focuses on pleasure rather than teaching in his sacramental act The Brothers Who Look Alike. The artist dramatically twists the contents of the instructive elements, that is, the Bible and the doctrines, making the audience interested and immersed in the performance. The theological distortions were not a big deal to him as long as he could entertain his audience. For Tirso, the audience’s indifference to his work was the worst things to avoid.
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