조롱 형태의 놀이로서의 규방가사

Abstract

Cases of making a fool of others and conflicting in place where man and woman, or women gathered are often noticed in Gyubanggasa - lyric depicting women's life in feudal society. The current study began with a hypothesis that this kind of verbal characteristic can be an important clue to find out characteristic of its enjoyment. In chapter II, an aspect of mockery shown in Gyubanggasa was studied. mockery was performed in the form of exchanged respondent songs between man and woman or woman and woman, especially among married daughters and a daughter-in-law within the same family in the back ground of Hwajeonnori -a picnic that people cook and enjoy flower-shaped cakes. As results of the study, even though mockery and tension were being raised among men and women around Hwajeon-nori, it was confirmed that this was not directly connected with a basic problem about sex role of woman and man according to the growth of women's consciousness. Rather than that, it was because they wanted to maintain tension and taste in Hwajeonnori. In addition, it was also observed that the situation in which married daughters and a daughter-in-law within a family mocked at each other's behavior and family ultimately pursued the harmony among family members. In chapter III, communication method and function of mockery in Hwajeonnori were investigated. In a good many interrogatory Gyubanggasa that were sung in Hwajeonnori situation, disputes happened through the medium of verbal mockery. This means that verbal mockery creates tension and entertainment that are essential to maintain the playing space, and Gyubanggasa in Hwajeonnori was mainly communicated as a play in the form of mockery. Women seems to express their suppressed emotion in reality through taste and catharsis caused by mockery in a formal communication space, Hwajeonnori. This is why an aesthetic sense of Gyubanggasa in the form of mockery is greatly humorous.