문답형 가사에 나타난 놀이 양상 비교

Abstract

The purpose of this study is to compare the different aspects of women’s nori in the question and answer Gasa and verify the growth of women’s consciousness. As individual works, Johwajeonga and Banjohwajeonga, in which Hwajeonnori was effectively represented, and Jeokbyeokga and Dapjeokbyeokga, which skillfully described Seonyunori, were compared and reviewed. Johwajeonga and Banjohwajeonga, which reveal the success, preparation process, and trials of women’s hwajeonnori, are literary works mainly composed of question and answer between a man and a woman. The difference between men’s and women’s reactions to Hwajeonnori is also explicitly revealed. On the other hand, Jeokbyeokga and Dapjeokbyeokga, which are both composed of question and answer between women, are works that clearly emphasize and illustrate women’s thoughts about Seonyunori, as well as their determination to play it. Hwajeonnori and Seonyunori are representative noris of women in the types of question-and-answer Gasa. These noris mean exponentially more than simple noris for women. By doing the aforementioned noris, women were able to develop their consciousness in the late Cho-Sun period. Furthermore, it could be an important indicator of how these noris are reflected in the lives of women of later generations.