전시체제기 놀이의 프로파간다화와 식민지 규율

Abstract

The mode and character of a play enjoyed in a specific time and society reflects the nature of the society. The propaganda of the war basis, regulating a sense of pleasure which feels unrestrictedness and enjoyment, constructed a minute and effective rule-mechanism. The discourse of a wholesome entertainment was the play regulation imposed upon people that aims to perform war and the mechanism that do morally structures the experience of pleasure. The quality of play activities depends on the quality of freedom that is based on the play. The propaganda of a play shows that it shows the process of governance through a deceived freedom. The deception of freedom in the play resulted from that the form and character of the play enjoyed by the public had defined and limited by the Empire. The free moment of the play fully managed from the outside is homogeneous and standardized. A “Sense of exhilaration” is a feeling of standardized enjoyment that produces a wholesome entertainment. The war-time that a ‘Increased productivity’ works on as a principle of life had banned a freedom of gratuitousness which can think and imagine behind reality. Now, we need to reflect that the production was for whom, through the play as a ‘gratuitousness’ free from a production and labor.