김종삼 초기시에 나타난 주체 인식 연구－반복된 실패 양상을 중심으로－

Abstract

This paper paid attention to the confession of failure that “Someone asked me, what poem is, I replied, I am not a poet, so I do not know”, 1982, 「Someone asked me」. From this late period’s confession, This paper tried to go back to the beginning and examine the repeated failures and the perception of the subject that is constructed by confirming it revealed in Kim Jong-sam’s early poetry retrospectively. In 1964, 「My homeland」 is an important starting point that has begun to reveal the perception of the subject, as it refers to “I” in earnest in the poem title. It is the characteristic of poetry since the middle period of Kim Jong-sam that it is constantly trying to define ‘I’ in his later works. However, this paper studied closely from the early works on the premise that there will be a work that could be the foundation rather than the sudden appearance of the agony of the recognition of ‘I’ from his middle period. In Chapter 2, This paper started with 「Verka Mask」 and analyzed the later works to confirm the impossibility of a comfortable and perfect world that Kim Jong-sam expressed as loss. Impossibility will soon be in the fate of failure, but this paper has noticed Kim Jong-sam’s attitude to cope with this impossibility. In Chapter 3, this paper found ‘Homeland’ represented as loss before now emerged as lack. This paper noticed the repetitive failure of Kim Jong-sam, which was revealed in his confirmation of this lack. This paper has seen that the first depature for the world of the subject has begun from ‘misunderstanding’ the lacking hometown through the analysis on 「Fairytale in the smell of mugwort」. Through this, this paper looked into that orientation for hometown in the relationship with his middle period. This paper can guess that the contents of orientation for hometown which was revealed in earnest from the middle period inherited the early works. This study suggests an example of the case of the subject called the retrospective effect of loss in order to give meaning to repeated orientation towards finding hometown and failures. This was to agree with the position that the subject does not exist before the fact, but through loss. This paper assumed that in his early works, when Kim Jong-sam try to depict old times or a place, he can just re-confirm that there is nothing, becaues it has not ever exist. It was assumed that the structure that reconfirms the repeated lack of mistake as loss is the point where Kim Jong-sam’s subject occurs. In sum, the subject’s perception in Kim Jong-sam’s early poem can be summarized as finding hometown, failures, and costitution of the subject through these procedures.