신고전주의의 선구자 마흐무드 사미 바루디(1839-1904)의작품세계 연구
A study on Mahmūd Sāmī al-Bārūdī, the precursor of Neoclassicism
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Mahmūd Sāmī al-Bārūdī was the true precursor of the modern poetic revival. Because in his works are abundantly clear the conscious return to the classicism of early medieval Arabic poetry, especially the poetry of the Abbasid period. This neoclassicism, or return to the Arab heritage of the past, marks the first stage in the modern literary revival. He is often referred to 'master of the sword and the pen' because he distinguished himself both as a soldier and as a poet. Also he is called as Sir Philip Sidney(1554-86) of the modern Arabic renaissance, the all-round figure who is a soldier, courtier and scholar in one. He managed to combine a return to the purity of diction, the forceful expression and the classicism of the Abbasids with the ability to express his own individual experience. Also he differs considerably from his Egyptian contemporaries or immediate predecessors in that he produced works which are free from artificiality, and in which there is a direct expression of an earnest mind and an impressive personality. That is why Arab critics and historians of literature are generally agreed that it is with al-Bārūdī that the renaissance of modern Arabic poetry truly begins. Above all, what makes al-Bārūdī the first poet of the modern Arabic renaissance, or the first modern Arabic poet, is his ability to express vividly his powerful and earnest personality through the old idioms. Later al-Bārūdī's neoclassical manner of writing was followed by a large number of poets who until 1910's were the best-known modern poets in the Arab world.
Abstract
Mahmūd Sāmī al-Bārūdī was the true precursor of the modern poetic revival. Because in his works are abundantly clear the conscious return to the classicism of early medieval Arabic poetry, especially the poetry of the Abbasid period. This neoclassicism, or return to the Arab heritage of the past, marks the first stage in the modern literary revival. He is often referred to 'master of the sword and the pen' because he distinguished himself both as a soldier and as a poet. Also he is called as Sir Philip Sidney(1554-86) of the modern Arabic renaissance, the all-round figure who is a soldier, courtier and scholar in one. He managed to combine a return to the purity of diction, the forceful expression and the classicism of the Abbasids with the ability to express his own individual experience. Also he differs considerably from his Egyptian contemporaries or immediate predecessors in that he produced works which are free from artificiality, and in which there is a direct expression of an earnest mind and an impressive personality. That is why Arab critics and historians of literature are generally agreed that it is with al-Bārūdī that the renaissance of modern Arabic poetry truly begins. Above all, what makes al-Bārūdī the first poet of the modern Arabic renaissance, or the first modern Arabic poet, is his ability to express vividly his powerful and earnest personality through the old idioms. Later al-Bārūdī's neoclassical manner of writing was followed by a large number of poets who until 1910's were the best-known modern poets in the Arab world.
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